Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above ...
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Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above and beyond the call of duty to solve the murder; and bust the drug ring. Suffering the jibes, and ridicule of fellow officers; they struggle to save their names, and that of their deceased benefactor.Written by
J. D. Keith <firstname.lastname@example.org>
Omar Epps mentioned in several interviews that he greatly disliked the denim Levi's clothes he and the cast had to wear because the jeans were very tight. He mentioned that there are several moments captured on screen during film where he wears a frown and grimace facial expression due to his jeans being too tight. The clothing in the film was specifically customized and provided by Levi's. When the film was released, Levi's put out denim commercials featuring Epps, Danes, and Ribisi. See more »
Near the end, Peter Cochran and Julie Barnes jump out of a moving vehicle that crashes into an almost empty warehouse. After it crashes through one wall, you can hear tires screeching as if someone had slammed on the brakes. However, no one was in the vehicle to do so. See more »
Hey ma mere. Where you going with that fine little ass baby? Why don't ya get out on the street earn a real living huh, start hustling (laughing)
She digs me. You have your hall pass young lady?
Yeah you wanna see my hall pass?
Yeah and I wanna see you in detention.
Hey hey, why do you have to be such a pussy huh, leave her alone alright.
Who are you calling a pussy? Pussy!
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Action Speaks Louder Than Words
Written by Lloyd Harris Jr., Joseph Smith III, Amadee Castenell Jr., Frank J. Richard, Ernest Dabon,
Dwight Richards, Mario G. Tio, Robert Dabon and Kenneth Williams
Performed by Chocolate Milk
Courtesy of The RCA Records Label of BMG Entertainment See more »
I'm not one of those folks who bemoans everytime a film based on an old TV show comes out. Rather, I usually run out and see it (If I had watched the show) and try to get nostalgic. But if anyone feels like running down films based on old shows, this is exhibit A (So you can actually say something more than just "McHale's Navy"). "Mod Squad" is dreary, tiring, and lethargic. At least the original series was angst riddled long before anyone knew teens could be so glum, making it groundbreaking. This is just tedious. Claire Danes is nice to look at, but does nothing else but mood swing and sneak around spying on the baddies. Giovanni Ribisi's acting extent in this flick is that Droopy the Dog look for an hour and forty five minutes. And Omar Epps looks like he wants to flee the set, but the script's chlostraphobia has trapped him. Sure, the production is nice, with the now seemingly obligitory "rave" nightclub opening action sequence and shootouts galore. Oh, and the kids yell and get mad at each other and their superiors a lot too. It's kind of like deciding to use the Scooby Doo Mystery Machine to go on a family vacation to Hollywood with your teenage kids who you and your spouse know need heavy therapy and prescription drugs. I really wanted to like this movie, and there were promising moments, but the next scene would suck the life out of it. You can knock another Spelling remake, "Charlie's Angels", all you want, but at least that film knew it wanted to have fun with itself. "The Mod Squad" makes you wonder where the inspiration from the original series went.
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