A legendary fifteen-foot tall mountain gorilla named Joe is taken to an animal sanctuary in California by a zoologist and a young woman whom he grew up with. A poacher from the past returns to seek vengeance on him.
The baby gorilla left in her care grows up to become a hugely tall and broad specimen by the name of Joe, living in the mountains as a mostly unseen legend among people who live there. Along comes an eco-minded emissary from a California sanctuary, who talks the jungle girl into providing safe haven for Joe at the L.A. facility. The transition is not without discomfort, but everything is aggravated via a conspiracy of poachers to get Joe into their own greedy hands!Written by
Anthony Pereyra <email@example.com>
Bill Paxton was 20 years older than Charlize Theron when the movie was shot. She was only 23. See more »
When Jill is talking to the doctor at the market, watching Gregg, she picks up a piece of fruit to eat. As she puts it to her mouth it appears untouched. In the immediate cutaway scene, the fruit is half eaten. See more »
[sees Greg coming out of the infirmary]
He's walking already? Joe should have dropped him harder.
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German video and DVD versions are edited for violence (capturing of the gorilla, transport of the gorilla in the city, escape of the gorilla, explosion of the ferris wheel) to get a more family friendly "Not under 6" rating. The uncut version (rated "Not under 12") was shown several times on pay-TV channel Premiere World (now Sky Germany). See more »
I was anxious to see this movie as I had seen the original in 1949 and I was not disappointed. This is one of those rare instances that a remake was okay. This originally was an RKO Radio Picture and the new updated RKO Pictures logo at the beginning was a great tribute. Also it was very fitting to have Terry Moore, the original star, and Ray Harryhausen, the man who made the special effects in the first one, to have a cameo. A lot of critics did not like this movie but my 3 grandchildren did. Why not have movie critics the same age as the targeted audience, such as having kid critics and women critics and senior citizen critics to give a real reaction of what they like and don't like.
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