Shadowy elements in the NSA target a nine-year old autistic savant for death when he is able to decipher a top secret code.Shadowy elements in the NSA target a nine-year old autistic savant for death when he is able to decipher a top secret code.Shadowy elements in the NSA target a nine-year old autistic savant for death when he is able to decipher a top secret code.
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Bodhi Elfman
- Leo Pedranski
- (as Bodhi Pine Elfman)
Lindsey Ginter
- Peter Burrell
- (as L.L. Ginter)
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The novel 'Simple Simon' was written by Ryne Pearson and easily transferred to the silver screen, where it was directed expertly by Harold Becker. The movie tells the story of an autistic boy named Simon Lynch (Miko Hughes) who incredibly is able to decipher a top secret code created by the N.S.A. When the secret is uncovered, the top executive, Nick Kudrow (Alec Baldwin) believes his network of undercover agents and their identifies are in danger of being compromised and therefor orders a top assassin to execute Simon and his parents. The only defense for the boy is Art Jeffries (Bruce Willis) a burned-out F.B.I agent who despite his short-comings is a tough-as-nails individual who learns Simon is a very special child and soon bonds with him. Along the way and amid the encroaching danger Jeffries receives help from Stacey a coffee shop patron (Kim Dickens) and fellow FBI agent Tommy B. Jordan (Chi McBride) The film is a combination of intrigue, murder and suspense with excitement filling in all the gaps. Willis and Hughes give a heartwarming and endearing performance. Recommended. ****
There are two great acting performances in this film. Bruce Willis plays Art Jeffries, an FBI agent with attitude. Miko Hughes plays Simon Lynch, an autistic savant with a gift for codebreaking. Both are believable but Miko Hughes is astonishing – one of the best ever screen performances by a child. The scenes between the pair of them are really touching and you can believe that Willis really likes kids. Perhaps he does.
The US government's pursuit of Lynch in this film may at first appear overly far-fetched and scaremongering. Then you remember the US attitude towards the British savant, Gary McKinnon, who was accused of perpetrating the biggest military computer hack of all time by hacking into 97 US military and NASA computers in 2002. Well, they didn't kill his mum and dad, and hunt him like an animal. But after 10 years of attempted extradition, and speculation of a 70-year jail term, maybe this story is just an exaggeration of reality, and not quite as ridiculous as some commentators have suggested.
It's not really a downside but if you come to this film expecting a shoot-em-up action movie, you may be disappointed. It's much more than that and consequently slower – it's a touching drama with action scenes, and so we can forgive, just about, the pace through the middle of the film. The writing is actually very good and Pearson, Konner and Rosenthal all deserve credit.
I did find the score a bit distracting. Sort of 'too big' and too 'James Bond' for the film. Scenes without music were better. Though the music being played at the club Jeffries visits was really good and I would have liked to have heard more of Koko Taylor (now no longer with us) belting out some blues.
I was finding it difficult to see where this film was going. When Wills is with a kid, like in 16 blocks or Die Hard 4, you expect a visible end point, and there wasn't one. There was a sense of going around in circles. Until the last 5 minutes. Ultimately that cost it a couple of stars and the score lost another one. So seven out of ten for this.
The US government's pursuit of Lynch in this film may at first appear overly far-fetched and scaremongering. Then you remember the US attitude towards the British savant, Gary McKinnon, who was accused of perpetrating the biggest military computer hack of all time by hacking into 97 US military and NASA computers in 2002. Well, they didn't kill his mum and dad, and hunt him like an animal. But after 10 years of attempted extradition, and speculation of a 70-year jail term, maybe this story is just an exaggeration of reality, and not quite as ridiculous as some commentators have suggested.
It's not really a downside but if you come to this film expecting a shoot-em-up action movie, you may be disappointed. It's much more than that and consequently slower – it's a touching drama with action scenes, and so we can forgive, just about, the pace through the middle of the film. The writing is actually very good and Pearson, Konner and Rosenthal all deserve credit.
I did find the score a bit distracting. Sort of 'too big' and too 'James Bond' for the film. Scenes without music were better. Though the music being played at the club Jeffries visits was really good and I would have liked to have heard more of Koko Taylor (now no longer with us) belting out some blues.
I was finding it difficult to see where this film was going. When Wills is with a kid, like in 16 blocks or Die Hard 4, you expect a visible end point, and there wasn't one. There was a sense of going around in circles. Until the last 5 minutes. Ultimately that cost it a couple of stars and the score lost another one. So seven out of ten for this.
Mercury Rising is far from a masterpiece, the ending is choppy and the script has its weak spots. But it was the plot that was the main problem, despite its intriguing idea it is not only very thin and routine but some of it doesn't always make sense. However, the cinematography and editing are great, and there are enough tension and thrills to make up for the heavily flawed plot-line. The film is well-directed too, and the music has atmosphere while not being intrusive. The acting is fine, Bruce Willis is good in his role and his chemistry with Hughes feels natural, and Alec Baldwin is very chilling and detestable, but it is Miko Hughes who is excellent as the autistic child who carries the movie (being autistic myself I could relate to him). Overall, flawed but a decent film. 7/10 Bethany Cox
I just watcehd this on DVD, loved it and was literally stunned to find that most people, in particular those that write movie reviews for a living slated this.
Maybe its because in 2004, some six years after its original release we are seeing a revival of the action/thriller (Bourne Supremacy etc).
So, what didn't I like, not much. I would like to have seen more made of the kids codebreaking, they could really have milked that and didn't, the opening scene was just to cliché in setting up Willis's character as were the characters of his big black boss and hard nosed chief. The very last scene was typical US syrup but was thankfully very short.
What was good? everything else, I loved the idea behind the story, Miko Hughes is totally amazing to the point I had to check the next day to find out how the hell they managed to get a autistic kid to act (is isn't autistic but is a damn fine actor), Willis really does add vulnerability to a role that he has played many times before, with the movie underpinned fantastically with a John Barry soundscore and Harold Becker carefully crafts what for me was a very enjoyable movie watching experience and stands head and shoulders above many I have seen recently. 3/5 for me
Maybe its because in 2004, some six years after its original release we are seeing a revival of the action/thriller (Bourne Supremacy etc).
So, what didn't I like, not much. I would like to have seen more made of the kids codebreaking, they could really have milked that and didn't, the opening scene was just to cliché in setting up Willis's character as were the characters of his big black boss and hard nosed chief. The very last scene was typical US syrup but was thankfully very short.
What was good? everything else, I loved the idea behind the story, Miko Hughes is totally amazing to the point I had to check the next day to find out how the hell they managed to get a autistic kid to act (is isn't autistic but is a damn fine actor), Willis really does add vulnerability to a role that he has played many times before, with the movie underpinned fantastically with a John Barry soundscore and Harold Becker carefully crafts what for me was a very enjoyable movie watching experience and stands head and shoulders above many I have seen recently. 3/5 for me
This movie has one huge problem: *its basic premise makes no sense at all*. Killing the kid is in absolutely nobody's interest. His codebreaking skill would be of immeasurable value to the very people who are trying to kill him, while safeguarding the code without killing him would be fairly straightforward. This is so obvious that it essentially ruins the whole movie.
The rest of the movie is OK if you ignore that problem. The performances are generally good, and Miko Hughes is excellent as Simon. There is nothing here you haven't seen a dozen times before, but it's generally well done. It's not worth making any real effort to see this movie, but you probably won't have a bad time if you do.
The rest of the movie is OK if you ignore that problem. The performances are generally good, and Miko Hughes is excellent as Simon. There is nothing here you haven't seen a dozen times before, but it's generally well done. It's not worth making any real effort to see this movie, but you probably won't have a bad time if you do.
Storyline
Did you know
- TriviaMiko Hughes spent time with many autistic children at a special school to understand how to portray an autistic child. Bennett Leventhal, head of the child psychiatry department at the University of Chicago, spent six weeks before the shoot tutoring Hughes at a school for autistic children. Leventhal complimented Hughes at the movie's premiere, saying, "even I believed you."
- GoofsOn the bank's security camera video tape of Art and Dean crossing the street, knee pads are visible beneath Dean's pants in preparation for his fall.
- Quotes
Nick Kudrow: I asked you not to handle the wine, please!
Art Jeffries: You know, it's good to see you've got your priorities in order.
[takes a slug from another bottle]
Art Jeffries: That's better. You're not worried about murdering a nine year-old boy but you're worried about this fuckin' wine!
[he breaks another bottle and Kudrow winces]
- Alternate versionsThe German TV-Channel RTL cut all of the violence out of the movie, in order to broadcast it on an earlier time spot (8:15 PM).
- How long is Mercury Rising?Powered by Alexa
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $32,935,289
- Opening weekend US & Canada
- $10,104,715
- Apr 5, 1998
- Gross worldwide
- $93,107,289
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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