When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
An ancient Ring thought lost for centuries has been found, and through a strange twist in fate has been given to a small Hobbit named Frodo. When Gandalf discovers the Ring is in fact the One Ring of the Dark Lord Sauron, Frodo must make an epic quest to the Cracks of Doom in order to destroy it! However he does not go alone. He is joined by Gandalf, Legolas the elf, Gimli the Dwarf, Aragorn, Boromir and his three Hobbit friends Merry, Pippin and Samwise. Through mountains, snow, darkness, forests, rivers and plains, facing evil and danger at every corner the Fellowship of the Ring must go. Their quest to destroy the One Ring is the only hope for the end of the Dark Lords reign!Written by
Paul Twomey <email@example.com>
As Gandalf and the others leap the stairway gap in Moria while fleeing the Balrog, incoming arrows shot at them by goblins high above seem to rapidly flex. This is not an accidental special-effects artifact, arrows actually do this, and it contributes to stable flight, similar to a gyroscope's effect. That one of Legolas' arrows does not flex in a flying-point-of-view shot may indicate that elvish arrows are enchanted, or that the filmmakers just wanted to spare the audience the extra distraction in that shot. See more »
The forced perspective trick becomes visible while Gandalf and Bilbo are having tea. As Bilbo is pottering about, Gandalf sits on a Hobbit-sized chair at a table that is too small for him. As he shuffles slightly to get comfortable, his knees move the table, but only his, smaller, half moves - the other half, where Bilbo is seated, is further away from the camera, and stays put. It can be seen that this gap between the two table "halves" is concealed behind cleverly placed, bottles, plates, etc. Then, when Bilbo is about to pour hot water in the teapot, Gandalf lifts the teapot lid for him. The lid is not on the teapot, but placed on a spike nearer to the camera to create the forced perspective. It is also clearly visible when Gandalf puts the lid back. See more »
The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was is lost, for none now live who remember it. It began with the forging of the Great Rings. Three were given to the Elves, immortal, wisest and fairest of all beings. Seven to the Dwarf lords, great miners and craftsmen of the mountain halls. And nine, nine rings were gifted to the race of Men, who, above all else, desire power. But they were, all of them, deceived, for ...
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After the end credits, the DVD and Blu Ray editions of the extended cut feature a list of "Lord of the Rings fan-club members" who contributed financially to the project in exchange for a credit. This additional credit sequence lasts 20 minutes. See more »
Within minutes of the start of this first chapter of an undeniably epic trilogy, the audience was left gasping at the intensity of the images on the screen. And we had nearly three hours to go.
The scope of Tolkien's masterpiece may have eluded film-makers for decades, but director Peter Jackson makes good on his promise: he has not only brought us the tale of Frodo and his bold companions, he has brought us Middle Earth. And believe me, it is BIG. Sweeping vistas and hang-onto-your-seat camera shots send us zooming through the towering cities and citadels of Tolkien's imagination.
But even more impressive than the stunning visuals and sound-effects-like-you've-never-heard-before are the actors who breathe life into the characters. Ian McKellen's portrayal of Gandalf is nothing short of awe-inspiring, and Elijah Wood's Frodo is one of the most unexpectedly captivating performances I've seen in a long time. The despair, terror, and determination of the Fellowship is all there, in spades. I left the theater aching...from tensing every muscle during the fight and flight sequences--the breathless and compelling kind we haven't seen since Spielberg gave us a desperate charge onto the D-Day beaches of Normandy.
Those unfamiliar with Tolkien's world may quickly find themselves lost in it, but happily so. The depth of his creation cannot be grasped in a few hours, and it doesn't need to be; the struggle of good against evil explodes on the screen, and leaves little room for complaint.
The movie ended with a stunned audience sitting on the edges of their seats, feeling somewhat bereft. We were exhausted, but no one wanted to wait a year for more.
Jackson's ambitious first chapter is truly unlike anything you've seen this year. George Lucas and Chris Columbus take note: this is how you deliver on a cinematic promise.
For everyone else: don't you dare miss it.
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