8.2/10
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Lock, Stock and Two Smoking Barrels (1998)

R | | Comedy, Crime | 28 August 1998 (UK)
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A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.

Director:

Guy Ritchie

Writer:

Guy Ritchie
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Popularity
1,491 ( 54)
Top Rated Movies #141 | Nominated for 1 BAFTA Film Award. Another 13 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jason Flemyng ... Tom
Dexter Fletcher ... Soap
Nick Moran ... Eddy
Jason Statham ... Bacon
Steven Mackintosh ... Winston
Nicholas Rowe ... J
Nick Marcq Nick Marcq ... Charles
Charles Forbes Charles Forbes ... Willie (as Charlie Forbes)
Vinnie Jones ... Big Chris
Lenny McLean ... Barry The Baptist
Peter McNicholl Peter McNicholl ... Little Chris
P.H. Moriarty ... Hatchet Harry
Frank Harper ... Dog
Steve Sweeney ... Plank
Huggy Leaver Huggy Leaver ... Paul
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Storyline

Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

They lost half a million at cards but they've still got a few tricks up their sleeve See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English

Release Date:

28 August 1998 (UK) See more »

Also Known As:

Juegos, trampas y dos armas humeantes See more »

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Box Office

Budget:

£960,000 (estimated)

Opening Weekend:

£941,638 (United Kingdom), 30 August 1998, Limited Release

Opening Weekend USA:

$143,321, 7 March 1999, Limited Release

Gross USA:

$3,897,569

Cumulative Worldwide Gross:

$28,356,188
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Nicholas Rowe was originally asked to read for Winston. See more »

Goofs

In the director's cut, when Kenny and Gary have stolen the guns and the old man shoots a hole in Gary's hair, Dean says, "are you all right, Gary?" His lips ask "Gary?" again, but is only heard in the next shot of the smoking hair. The original region 1 version has the sound in sync with the lip movement. See more »

Quotes

[first lines]
Bacon: Right. Let's sort the buyers from the spyers, the needy from the greedy, and those who trust me from the ones who don't, because if you can't see value here today, you're not up here shopping. You're up here shoplifting. You see these goods? Never seen daylight, moonlight, Israelite. Fanny by the gaslight. Take a bag, c'mon take a bag. I took a bag home last night. Cost me a lot more than ten pound, I can tell you. Anyone like jewelry? Look at that one there. Handmade in Italy, ...
[...]
See more »

Crazy Credits

In the closing credits, the character names in the cast list are shown entirely in lower-case letters with no initial capital letters. See more »

Alternate Versions

In the director's cut, theres also a scene prior to Big Chris coming in to Harry's when he'll be told about the boys' debt. The Baptist questions if Chris is loyal, and Harry tells a story and we see Big Chris knock 2 guys out in an elevator collecting a debt. See more »

Connections

References Black Caesar (1973) See more »

Soundtracks

18 With A Bullet
Performed by Pete Wingfield
Courtesy of Island Records Ltd.
Licensed by kind permission of The Polygram Commercial Marketing Division
Written by Pete Wingfield (as Peter Wingfield)
© 1974 Island Music Publishing
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Frequently Asked Questions

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User Reviews

 
Have a butchers...
1 March 2002 | by Quag7See all my reviews

I was a total and complete sucker for this film.

If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camerawork, the excellent dialogue ("It's been emotional.")

Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.

This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Ritchie doesn't mask the fact that it's a film and he runs with it.

I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.

I am a bit dismayed to see some of the marketing of this film comparing it to other things like Quentin Tarantino films or Trainspotting. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Trainspotting and Tarantino films only because it actually has its own bold style.

Can't recommend it enough.


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