A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam.Written by
According to Stephen Marcus, the row of televisions in Rory Breaker's office took three hours to arrive and two hours to set up. Then, to Guy Ritchie's annoyance, they played American football rather than the English kind due to an issue with Sky Sports. See more »
When Tom speaks with Nick the Greek about buying weapons, Nick the Greek is playing a fruit machine. The sound of the machine is heard, but it clearly isn't working. See more »
Right. Let's sort the buyers from the spyers, the needy from the greedy, and those who trust me from the ones who don't, because if you can't see value here today, you're not up here shopping. You're up here shoplifting. You see these goods? Never seen daylight, moonlight, Israelite. Fanny by the gaslight. Take a bag, c'mon take a bag. I took a bag home last night. Cost me a lot more than ten pound, I can tell you. Anyone like jewelry? Look at that one there. Handmade in Italy, ...
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In the closing credits, the character names in the cast list are shown entirely in lower-case letters with no initial capital letters. See more »
New footage included in director's cut:
at the very start of film, Ed is shown explaining the rules of 3 Card Brag to two people;
the scene where Big Chris goes to see the man on the sunbed is longer
Tom, Soap and Bacon are shown walking through the pub to the bar while Ed is playing cards
the earlier stages of the card game are shown
Alan explains to Ed the "history" between JD and Harry
when Barry is talking to the two scousers the dialogue is different
when Big Chris is walking into Harry's office near the end, he meets the man who was on the sunbed near the start of the film.
when Ed is being interviewed by the police you see him finishing explaining the rules of 3 Card Brag to them (as seen at very start)
just before the credits, you see Soap telling a whole joke in the car when they are coming back from the job
three outtakes are shown during the credits: one with Soap telling a joke, the next where Barry asks one of the scouser's for an ice cream and one where a guy runs onto the set.
If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camerawork, the excellent dialogue ("It's been emotional.")
Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.
This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Ritchie doesn't mask the fact that it's a film and he runs with it.
I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.
I am a bit dismayed to see some of the marketing of this film comparing it to other things like Quentin Tarantino films or Trainspotting. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Trainspotting and Tarantino films only because it actually has its own bold style.
Can't recommend it enough.
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