1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.Written by
There was actually a registered ship named the SS Virginian which was built in 1904 and scrapped around 1954. The ship had one funnel with the Allan Line's colors on it. The SS Virginian also had a vital part in the Titanic disaster in April 1912 as she was reported near the vicinity of the sinking and within radio contact. See more »
At the beginning of the film, the immigrants are happy to be entering America through New York. However, the ships are shown passing from right to left in front of the Statue of Liberty. This would be taking them out of New York harbor, not into it. See more »
I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...
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Original version released in Italy is 2 hours and 45 minutes long. A 123-minutes version premiered at the Locarno film Festival in July 1999. This shorter version is the same released in the USA by Fine Line under the title "The Legend of 1900". See more »
The antidote to all your troubles, "1900" will sweep you away
It is at a time like this I wish I could expand my vocabulary to better articulate the virtues and qualities of such a fine film. I also find I'm bursting to talk about this film that I regrettably saw alone. I don't want to spoil it for anyone, but desperately want to share it with everyone.
The talented star of "The Legend of 1900", Tim Roth, presented this film along with Clarence Williams III. His encouragement to the audience was that if anyone was the sort who liked to pick apart at films and critique their lack of realism, they should just leave now. He touted this wonderful vision from the director of Cinema Paradiso, Giuseppe Tornatore, and likened the film to a "dream". He also said that if anyone had seen his own film, "The War Zone", that "1900" was the antidote for it. I was slated to see "The War Zone" the next day, but that was fine by me. I managed by a sheer stroke of luck to get into this Canadian premiere and found it to be absolutely extraordinary and the best film I'd seen so far of the Toronto International Film Festival.
It seems as though mere moments after the initial credits, that the wonderful storytelling and incredible music combined with stunning visuals almost had me moved to tears. While I'll admit that I'd be seeing films all day, no film in my recollection had such an impact so quickly.
The story is one of an abandoned baby who is found on a ocean liner by one of the ship's crew. He is unofficially adopted and named "1900" for the year in which he was born. At a very early age the boy demonstrates an extraordinary gift for piano playing which is only strengthened in his passing years. The boy grows up with no official identity, into a man having never taken a step off of the ship onto dry land in his whole life. The young man, played by Tim Roth is encouraged by his dear friend to leave the boat and pursue a life of fame and fortune as the great pianist he has become. 1900 declines, explaining simply that everything he needs is on the boat.
Well, that should be enough to intrigue you; there's much more of course, but I've no desire to spoil it for anyone. I must encourage everyone to see this film, I can hardly imagine anyone being disappointed. It's for music lovers, dreamers, romantics and film buffs everywhere and my greatest hope is that it will be seen by many, many people, especially those I know and love. And after seeing the film, and hearing Tim Roth's words echoing in my mind, he was absolutely right. It is like a dream, a wonderful dream that I wished would never end. And for a future prediction, I see this film as a Best Foreign Film Oscar nomination for 1999.
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