Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates) and a father of five children, all of whom live on the mainland and hold responsible... See full summary »
1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.Written by
Tim Roth can not, in fact, play the piano. He trained for six months just to be able to "fake it" for the film. See more »
The recording equipment used for making the record was clearly acoustic in nature, showing large horns. This type of recording was largely replaced in 1925 by electrical recording, using microphones. Yet the recording was made somewhere between 1927 and 1933, according to Tooney's story. Furthermore, the recording engineer played back the matrix immediately; this would have ruined the matrix, which was cut in wax. In those days, immediate playback was only possible using a 2nd set of equipment expressly for that purpose. See more »
I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...
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Original version released in Italy is 2 hours and 45 minutes long. A 123-minutes version premiered at the Locarno film Festival in July 1999. This shorter version is the same released in the USA by Fine Line under the title "The Legend of 1900". See more »
As its pianist, this film could be bound for success, but the fact is, it remained relatively obscure. I can't understand why did a movie with this deepness and feeling end up in oblivion. Because, if there are some beautiful movies, this is one of them, from the moment that fantastic Ennio Morricone score begins until we witness the tear-jerking finale. An epic story from tip to toe, we journey through the original story of a man who becomes a pianist on board the boat where he was born. And as he grows, so does the fascination by the others in his art and the questions whether he should take that leap overboard and become a "normal" person. A brilliant movie, from the man who brought us "Cinema Paradiso" and made us all cry, this won't disappoint you, and it's worth by Morricone's score alone. The sequence where the piano floats freely through the dance hall is anthological. A legend of its own.
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