La leggenda del pianista sull'oceano (1998)

A baby boy, discovered in 1900 on an ocean liner, grows into a musical prodigy, never setting foot on land.

Director:

Giuseppe Tornatore

Writers:

Alessandro Baricco (monologue Novecento), Giuseppe Tornatore

Stars:

Tim Roth, Pruitt Taylor Vince, Bill Nunn

Won 1 Golden Globe. Another 21 wins & 9 nominations.

Cast

Cast overview, first billed only:
Tim Roth	...	Danny Boodmann T.D. Lemon Nineteen Hundred '1900'
Pruitt Taylor Vince	...	Max Tooney
Bill Nunn	...	Danny Boodmann
Clarence Williams III	...	Jelly Roll Morton
Mélanie Thierry	...	The Girl
Gabriele Lavia	...	Farmer
Peter Vaughan	...	'Pops', the Shopkeeper
Niall O'Brien	...	Harbor Master
Alberto Vazquez	...	Mexican Stoker
Luigi De Luca	...	Neapolitan Stoker
Femi Elufowoju Jr.	...	Black Stoker (as Femi Elufowoja Jr.)
Nigel Fan	...	Chinese Stoker
Roger Monk	...	Irish Stoker
Leonid Zaslavski	...	Polish Stoker
Bernard Padden	...	Boatswain

Storyline

1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.

---

Plot Keywords:

ship | 1900s | piano | pianist | jazz | 

---

Taglines:

A beatiful story of a man who could do anything... except be ordinary.

---

Genres:

Drama | Music | Romance

---

Motion Picture Rating (MPAA)

Rated R for language

Details

Country:

Italy

Language:

English French

Release Date:

28 October 1998 (Italy)

Also Known As:

La légende du pianiste sur l'océan

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$39,200, 31 October 1999, Limited Release

Gross USA:

$259,127, 12 December 1999

Company Credits

Production Co:

Sciarlò,Medusa Film

Technical Specs

Runtime:

165 min 123 min (international)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Composer Ennio Morricone also provided the score for Bernardo Bertolucci's similarly titled 1900 (1976).

---

Goofs

The recording equipment used for making the record was clearly acoustic in nature, showing large horns. This type of recording was largely replaced in 1925 by electrical recording, using microphones. Yet the recording was made somewhere between 1927 and 1933, according to Tooney's story. Furthermore, the recording engineer played back the matrix immediately; this would have ruined the matrix, which was cut in wax. In those days, immediate playback was only possible using a 2nd set of equipment expressly for that purpose.

---

Quotes

[first lines]
Max: I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...

---

Connections

Featured in The 57th Annual Golden Globe Awards (2000)

---

Soundtracks

Jungle Blues
Written by Ferdinand 'Jelly Roll' Morton (as Fred Morton)
Edizioni Chappell s.r.l

User Reviews

A lovely film that has a heart

On the first day of the twentieth century, an infant is discovered in the coal room aboard a luxury liner. The worker (Bill Nunn) who discovers the child on The Virginian names him 1900 or more accurately Danny Boodmann T.D. Lemon Nineteen-Hundred. Eight years later the boy loses his "father" in a ship accident but discovers an amazing ability to play the piano and a legend is born. It is indeed The Legend of 1900, a fable by Giuseppe Tornatore (Cinema Paradiso) based on a dramatic monologue by Italian novelist Alessandro Baricco. The story is about a musical prodigy who spends his life aboard a ship, sailing back and forth between the U.S. and Europe, entertaining the passengers with his unique talent but never sharing it with the rest of the world.

The film is narrated by Max (Pruitt Taylor Vince), an American saxophone player whom we meet at the beginning as he tries to pawn his trumpet. On leaving the shop, however, he hears the only recording 1900 ever made, a master that he had broken into pieces but that was later restored. When he finds out that the master came from a ship about to be demolished, he rushes to save 1900 whom he is sure is still aboard. In the process, he tells his story to convince others that 1900 exists. Through flashbacks we learn about 1900 and how he navigated his life from stem to stern. The question throughout the film is whether or not 1900 will abandon the ship and set foot on land? There is a hint that he might do so after he meets a beautiful young woman (Melanie Theirry). She inspires him to compose a beautifully expressive love song while gazing at her through a window, but the only thing that remains is the last copy of the record and an enduring memory.

The Legend of 1900 creates its own world and I confess it is one that I got lost in. This is a lovely film that has a heart. It is sentimental without question but is redeemed by the glorious music by Ennio Morricone, beautiful cinematography by Lajos Koltai, and a terrific jazz piano duel between the adult 1900 (Tim Roth) and Jelly Roll Morton played by Clarence Williams III. 1900's world has clearly defined limits and he is fearful of venturing beyond. Land represents for him a place without boundaries, where people can get lost, a place without beginning or end. To me, The Legend of 1900 may be a metaphor for people who find a comfortable niche for themselves in life and are afraid to take risks to see what the possibilities are. In many cases, as with 1900, the world will never know the contribution they might have made.