Amidst the war climate, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.
Director:
Giuseppe Tornatore
Stars:
Monica Bellucci,
Giuseppe Sulfaro,
Luciano Federico
A filmmaker recalls his childhood when falling in love with the pictures at the cinema of his home village and forms a deep friendship with the cinema's projectionist.
Director:
Giuseppe Tornatore
Stars:
Philippe Noiret,
Enzo Cannavale,
Antonella Attili
Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates) and a father of five children, all of whom live on the mainland and hold responsible... See full summary »
Baaria is Sicilian slang for Bagheria where Tornatore was born and this is an autobiographic epic of three generations in the Sicilian village where he was born.
Director:
Giuseppe Tornatore
Stars:
Francesco Scianna,
Margareth Madè,
Lina Sastri
1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.Written by
grantss
Tim Roth can not, in fact, play the piano. He trained for six months just to be able to "fake it" for the film. See more »
Goofs
The recording equipment used for making the record was clearly acoustic in nature, showing large horns. This type of recording was largely replaced in 1925 by electrical recording, using microphones. Yet the recording was made somewhere between 1927 and 1933, according to Tooney's story. Furthermore, the recording engineer played back the matrix immediately; this would have ruined the matrix, which was cut in wax. In those days, immediate playback was only possible using a 2nd set of equipment expressly for that purpose. See more »
Quotes
[first lines]
Max:
I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...
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"The Legend of 1900" is not the most attractive title for a film and the Italian original, "The Legend of the Oceanic Pianist", is no better. in retrospect there is no title worthy of this film. The marquee should read simply "See This Film, Your Life Will Be Better for It."
The story, music, cinematography, direction and, I hazard to say, a near perfect performance by Tim Roth combine to make for a compelling film. The story is told with a poetic lyricism that is immediately captivating and that is more than enhanced by Lajos Koltai's well stated cinematography. Clarance Williams III's controlled overstatement as an unexpectedly nasty Jelly Roll Morton is the perfect contrast to Roth's underplayed and unworldly 1900.
The American release of the film is 125 minutes. The Italian release was 160 minutes. What are we missing. Maybe this shorter cut is better but I cannot forget the devastation that was wrought on "Once Upon A Time In America" for its 139 minute US theatrical release. I certainly would not be not adverse to being subjected to an additional 35 minutes of the film and judging for myself if it was too long.
Aside from its title the films only flaw is the exit song. After two hours of enthralling instrumentals the vocal on the exit song undercuts rather than underscores a masterful filmic experience.
...rmk
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"The Legend of 1900" is not the most attractive title for a film and the Italian original, "The Legend of the Oceanic Pianist", is no better. in retrospect there is no title worthy of this film. The marquee should read simply "See This Film, Your Life Will Be Better for It."
The story, music, cinematography, direction and, I hazard to say, a near perfect performance by Tim Roth combine to make for a compelling film. The story is told with a poetic lyricism that is immediately captivating and that is more than enhanced by Lajos Koltai's well stated cinematography. Clarance Williams III's controlled overstatement as an unexpectedly nasty Jelly Roll Morton is the perfect contrast to Roth's underplayed and unworldly 1900.
The American release of the film is 125 minutes. The Italian release was 160 minutes. What are we missing. Maybe this shorter cut is better but I cannot forget the devastation that was wrought on "Once Upon A Time In America" for its 139 minute US theatrical release. I certainly would not be not adverse to being subjected to an additional 35 minutes of the film and judging for myself if it was too long.
Aside from its title the films only flaw is the exit song. After two hours of enthralling instrumentals the vocal on the exit song undercuts rather than underscores a masterful filmic experience.
...rmk