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The Last Days of Disco (1998)

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Story of two female Manhattan book editors fresh out of college, both finding love and themselves while frequenting the local disco.

Director:

Whit Stillman

Writer:

Whit Stillman
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Chloë Sevigny ... Alice
Kate Beckinsale ... Charlotte
Chris Eigeman ... Des
Mackenzie Astin ... Jimmy
Matt Keeslar ... Josh
Robert Sean Leonard ... Tom
Jennifer Beals ... Nina
Matt Ross ... Dan (as Matthew Ross)
Tara Subkoff ... Holly
Burr Steers ... Van
David Thornton ... Bernie
Jaid Barrymore ... Tiger Lady
Sonsee Neu ... Diana (as Sonsee Ahray)
Edoardo Ballerini ... Victor
Scott Beehner ... Adam
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Storyline

Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by Kathy Clark <kemoore@cyberramp.net>

Plot Summary | Add Synopsis

Taglines:

History is made at night.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some elements involving sexuality and drugs | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 June 1998 (USA) See more »

Also Known As:

A diszkó végnapjai See more »

Filming Locations:

Jersey City, New Jersey, USA See more »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$277,601, 31 May 1998, Limited Release

Gross USA:

$2,987,297, 9 August 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At around 15:00, the track plays "Le Freak" by Chic which was originally penned when the band's members were shunned by Studio 54...one of the most notorious discos of the era. See more »

Goofs

In Rex's bar, the ashtray starts in the center of the table and then gets picked up moved to the center of the table by Charlotte. See more »

Quotes

[first lines]
Alice Kinnon: I hear you have a much better chance of getting in if you come by cab.
Charlotte Pingress: You're really worried about getting in?
Alice Kinnon: Yes.
Charlotte Pingress: I thought you've been here several times before.
Alice Kinnon: Not the front way. They were private parties. We came in through the back.
Charlotte Pingress: We look real good tonight. I'm sure we're gonna get in.
[Alice and Charlotte round the corner and see a large crowd waiting outside the Disco Club]
Alice Kinnon: [beat] Let's get a cab.
Charlotte Pingress: Yeah.
See more »

Connections

Follows Barcelona (1994) See more »

Soundtracks

Good Times
Written by Bernard Edwards, Nile Rodgers
Performed by Chic
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
See more »

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User Reviews

 
The love train goes express to Oz.
10 June 2004 | by lemon993See all my reviews

Chloe Sevigny, the independent film princess, lands in the great emerald city by the sea. The final moments of the disco period are about to expire and she must dispose of her wickedly evil roommate, Kate Beckinsale. The disco is the epicenter of the film, the "Oz" if you will, where the wizard appears to control the music and lights of the city. Whit Stillman produces movies as often as the Olympics come around, but I like the tone he achieves here. Check-out the eighties publishing world depicted in the film. What's missing? No computers. The office seems less cluttered and more soothing to the creative spirit. There's an off-the-cuff reference to J.D. Salinger and his different works. There are many such random references scattered through the frames of the film. The director keeps you on your toes. The highlight of the film arrives on an iron horse by means of an impromptu dance sequence. The extemporaneous dance number spills out onto the subway platform and beyond the station. Nice touch.


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