The Interview (1998)
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- Unrated
- 1h 44min
- Thriller, Crime
- 20 Aug 1998 (Australia)
- Movie
A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.
Director:
Writers:
Stars:
Awards:
- 9 wins & 13 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Hugo Weaving | ... |
Eddie Rodney Fleming
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| Tony Martin | ... |
Det. Sgt. John Steele
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| Aaron Jeffery | ... |
Det. Sr. Const. Wayne Prior
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| Paul Sonkkila | ... |
Det. Insp. Jackson
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| Michael Caton | ... |
Barry Walls
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| Peter McCauley | ... |
Det. Hudson
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Glynis Angel | ... |
Det. Robran
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Leverne McDonnell | ... |
Solicitor
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Libby Stone | ... |
Mrs. Beecroft
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Andrew Bayly | ... |
Const. Prowse
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Doug Dew | ... |
Beecroft
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Polly Crooke | ... |
Fingers
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Anna Michael | ... |
Det Sgt Quinlan
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| Peta Doodson | ... |
Mrs Rogers
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Ed Rosser | ... |
Mr Bowman
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| Neil Foley | ... |
Gatehouse Guard
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John Penman | ... |
Roadhouse Attendant
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Yoni | ... |
Kinfolk
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Mark Stratford | ... |
Sgt Dunstall
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James Ryan | ... |
Detective
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Stephen Godfrey | ... |
Detective
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Pat Cavanaugh | ... |
Detective
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Richard Guarnuccio | ... |
Detective
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Robert Davis | ... |
Detective
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| Rest of cast listed alphabetically: | |||
| Rob Lobosco | ... |
Detective (uncredited)
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Directed by
| Craig Monahan | ||
Written by
| Craig Monahan | ... | (written by) and |
| Gordon Davie | ... | (written by) |
Produced by
| Bill Hughes | ... | producer |
| Craig Monahan | ... | producer |
Music by
| David Hirschfelder | ||
Cinematography by
| Simon Duggan | ||
Editing by
| Suresh Ayyar | ||
Editorial Department
| Ian Anderson | ... | laboratory liaison |
| Christian Gazal | ... | assistant editor |
| Ian Letcher | ... | colour grader |
| Julia MacLeod | ... | negative matcher (as Julia Arranga) |
| Noel MacWhirter | ... | colorist |
Casting By
| Gregory Apps | ... | (as Greg Apps) |
Production Design by
| Richard Bell | ||
Art Direction by
| Richard Bell | ... | (art direction) |
Set Decoration by
| Simon McCutcheon | ||
Costume Design by
| Jeanie Cameron | ||
Makeup Department
| Pam Murphy | ... | makeup artist |
| Pietra Robins | ... | makeup assistant (as Pietra Robbins) |
| Brad Smith | ... | makeup assistant |
| Leanne White | ... | makeup assistant |
Production Management
| Peter Bain-Hogg | ... | post-production supervisor |
| Michael Barnes | ... | unit manager |
| Pamela Hammond | ... | post production manager |
| Terrie Vincent | ... | production manager |
Second Unit Director or Assistant Director
| Karan Monkhouse | ... | first assistant director |
| Ed Raymond | ... | second assistant director (as Eddie Raymond) |
| Velika Tasevski | ... | third assistant director |
Art Department
| Hugh Anderson | ... | head scenic artist |
| Stan Antonaides | ... | props buyer / props dresser |
| Stewart Burchel | ... | set finisher |
| Des Cameron | ... | carpenter |
| Barney Carter | ... | art department runner |
| Simon Carter | ... | standby props |
| Rebecca Cole | ... | art department attachment |
| Peter Collins | ... | carpenter |
| Adam Dolman | ... | art department casual |
| Bob Hern | ... | construction manager |
| Steve Jones | ... | foreman carpenter |
| Pat Lynch | ... | carpenter |
| Graham Matthews | ... | prop maker / set finisher |
| Simon McCutcheon | ... | props buyer / set dresser |
| Graeme McKecknie | ... | carpenter |
| Luisa Mitchell | ... | art department assistant (as Luisa Ceravolo) |
| Kate Murray | ... | assistant buyer |
| Paul Pocock | ... | foreman carpenter |
| Gerry Powderly | ... | construction manager |
| Bob Rolph | ... | set finisher |
| Barry Rusch | ... | carpenter |
| Michael Ryan | ... | set finisher |
| John Smith | ... | metal fabricator |
| Chris Timms | ... | carpenter |
| Sharon Young | ... | assistant art director |
| Danny Fraser | ... | carpenter (uncredited) |
Sound Department
| Peter Craig | ... | boom operator |
| Nigel Croydon | ... | foley recordist |
| Jim Dunwoodie | ... | boom operator |
| David L. Gilmore | ... | boom operator |
| Tracey Grimshaw | ... | foley artist (as Tracy Grimshaw) |
| Gerry Long | ... | foley artist |
| Ian MacWilliams | ... | sound studio coordinator |
| Steve Murphy | ... | dolby sound consultant |
| Gavin Myers | ... | dialogue editor |
| Peter Palankay | ... | sound designer |
| George Parton | ... | foley recordist |
| Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
| John Wilkinson | ... | sound recordist |
| Steve Witherow | ... | supervising sound editor (as Stephen Witherow) |
| Tony Young | ... | assistant sound mixer |
Special Effects by
| Jeff Little | ... | special effects technician |
| Peter Stubbs | ... | special effects |
| Kevin Turner | ... | special effects technician |
Visual Effects by
| Roger Cowland | ... | visual effects |
| Paul Cross | ... | optical effects |
Stunts
| Brett Anderson | ... | safety officer |
| Lance Anderson | ... | stunt double |
| Zev Eleftheriou | ... | safety officer / stunt coordinator |
| Graham Jahne | ... | stunt double |
| Warwick Sadler | ... | stunt double |
Camera and Electrical Department
| Robert Abboud | ... | best boy |
| Michael Adcock | ... | gaffer |
| Matt Irwin | ... | video playback |
| Alex Laguna | ... | third electric |
| David Litchfield | ... | assistant grip |
| Grahame Litchfield | ... | key grip |
| Louis Puli | ... | camera operator / steadicam operator |
| Mark Rogers | ... | Gallery and still photographer / still photographer |
| Peter Ryan | ... | casual electrics |
| Benjamin Shirley | ... | focus puller (as Ben Shirley) |
| Nicole Swan | ... | clapper loader |
Casting Department
| Nick Hamon | ... | additional casting |
| Jenny Lee Robinson | ... | casting assistant |
Costume and Wardrobe Department
| Bronwyn Doughty | ... | standby wardrobe |
Location Management
| Greg Ellis | ... | location manager |
| Michael Gaffney | ... | location assistant |
| Fran Lugt | ... | location manager |
Music Department
| Christian Scallan | ... | score mixer / scoring engineer |
| Sam Schwartz | ... | musical notation (as Sam Schwarz) |
Script and Continuity Department
| Alison Nisselle | ... | script editor |
Transportation Department
| Tony Hall | ... | lowloader driver |
| Michael Kagel | ... | lowloader driver (as Mick Kagel) |
| Andrew McNay | ... | bus driver |
Additional Crew
| Gordon Davie | ... | technical advisor |
| Deidre Eagles | ... | unit nurse |
| Jeanette Fisher | ... | caterer |
| John Fox | ... | armorer |
| Tony Gibbs | ... | insurance |
| Sebastian Gunner | ... | unit runner |
| Gina Hallas | ... | production accountant |
| Justin Heitman | ... | rushes transfer |
| Luke Hura | ... | animal wrangler |
| Megan McAlpine | ... | caterer |
| Kevin Morrison | ... | unit assistant |
| John Nicoll | ... | unit publicity |
| Simone Roleff | ... | post production co-ordinator |
| Emily Slade | ... | lawyer |
| Alex Stitt | ... | titles designer |
| Lesley Thomson | ... | production coordinator |
Thanks
| Catriona Hughes | ... | thanks |
| Linda Klejus | ... | thanks |
| Jill Robb | ... | thanks |
Production Companies
Distributors
- The Cinema Guild (2000) (United States)
- Umbrella Entertainment (2010) (Australia)
Special Effects
- Filmtrex (special effects)
Other Companies
- AAV Australia (telecine transfers)
- Australian Film Finance Corporation (AFFC) (funding)
- Central Casting (extras casting)
- Film Finances (bond)
- HW Wood (insurance)
- Holding Redlich (lawyers)
- Island Films (lightworks)
- Kodak Australasia (film stock)
- Labsonics (sound post-production)
- Moneypenny Services (production accounting)
- Screwed and Glued (set construction)
- Showbiz Chauffeurs (transportation)
- Southern Star Entertainment (international sales and distribution)
- Sweet Seduction (catering)
- The South Australian Film Corporation (sound post-production)
- The Theatrette at 606 (rushes screening facilities)
Storyline
| Plot Summary |
A modest man is suddenly seized from his apartment and interrogated by the police for what initially is presented as involving a stolen car, but it's slowly revealed to involve a serial killing. Meanwhile Internal Affairs is investigating the manner in which the investigating officers work.
Written by John Sacksteder |
| Plot Keywords | |
| Taglines | Suspicion is only the beginning. See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
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Box Office
| Budget | AUD2,600,000 (estimated) |
Did You Know?
| Trivia | The premise of this matches the S1 E5 "The Big Cast" of Dragnet which aired 02/14/1952. The suspect, played by Lee Marvin, confesses to a murder with the same circumstances as Hugo Weaving's story. In the episode, the suspect is arrested in the morning and fought with the police, reminiscent of Weaving's rough arrest. Throughout the episode, meals also played an important part. See more » |
| Crazy Credits | At the beginning of the New Yorker Video DVD, right before the main menu appears, a quote of Eddie Fleming fills the screen: "Just goes to show you how the mind works." At the very end, after the credits roll, a quote of Det. Steele fills the screen: "I don't know Mr. Fleming, how does the mind work?" But if you run the end credits a second time a different quote appears at the end, this time from Det. Prior: "It's about a fucking stolen fucking car you fucking fuckwit." See more » |
| Quotes |
Det. Sr. Const. Wayne Prior:
It's about a fucking stolen fucking car, you fucking fuckwit! See more » |