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The General (1998)

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The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.

Director:

John Boorman

Writers:

John Boorman, Paul Williams (novel)
9 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brendan Gleeson ... Martin Cahill
Adrian Dunbar ... Noel Curley
Sean McGinley ... Gary
Maria Doyle Kennedy ... Frances
Angeline Ball ... Tina
Jon Voight ... Inspector Ned Kenny
Eanna MacLiam Eanna MacLiam ... Jimmy
Tom Murphy Tom Murphy ... Willie Byrne
Paul Hickey ... Anthony
Tommy O'Neill Tommy O'Neill ... Paddy
John O'Toole John O'Toole ... Shea
Ciarán Fitzgerald ... Tommy
Ned Dennehy ... Gay
Vinny Murphy Vinny Murphy ... Harry (as Vinnie Murphy)
Roxanna Nic Liam Roxanna Nic Liam ... Orla (as Roxanna Williams)
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Storyline

The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.

Plot Summary | Add Synopsis

Taglines:

The extraordinary true story of the rise and fall of the gangster, Martin Cahill. See more »


Motion Picture Rating (MPAA)

Rated R for violence and pervasive language | See all certifications »
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Details

Official Sites:

Sony Pictures Classics

Country:

UK | Ireland

Language:

English

Release Date:

18 December 1998 (USA) See more »

Also Known As:

I Once Had a Life See more »

Filming Locations:

Wicklow Mountains, Ireland See more »

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Box Office

Opening Weekend:

£286,365 (United Kingdom), 31 May 1998, Limited Release

Opening Weekend USA:

$26,771, 20 December 1998, Limited Release

Gross USA:

$1,211,865, 23 May 1999
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When the film was shown in theaters, it was in black-and-white, but when it aired on American cable television networks, it was shown in color. See more »

Goofs

After the robbery of the Thomas O'Connor and Sons jewelry manufacturing plant, which occurred in 1983, the van that pulled into the garage with the stolen goods had a license plate with the number 93 D 25920. Under the Irish vehicle licensing system, the 93 at the beginning of the license plate number identifies the model year of the vehicle. There would not have been such a plate number in 1983. See more »

Quotes

Frances: [referring to her sister] Why do go around and see Tina? I don't mind.
See more »

Alternate Versions

On the Region 1 Sony DVD the 2.35:1 desaturated colour print is edited for content, reducing the f-bomb count to 2. There also seem to be problems with the word "scumbag" which is largely changed to "ratbag" or "dirtbag". This version also only run 118 minutes. The 1.85:1 b&w print on the other side of the disc runs the full 124 minutes, and is unedited. There does not seem to be an unedited, 2.35:1 b&w print available. See more »

Connections

Referenced in All Over the Guy (2001) See more »

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User Reviews

 
No frills, just good story telling.
19 March 2001 | by charlietunaSee all my reviews

Boorman if nothing else is a good story teller. As a director, his greatest triumph came early in his career with Deliverance. Yet as a writer, he has brought us quality films such as Excalibur, and Hope & Glory. His adaptation of the Paul Williams novel is straight forward and without frills. Martin Cahill had many aspects to his life that could have easily become the fodder for an over zealous director. Rather than seeking to build a "background" story out of his love triangle, Boorman handles it with style and two scenes. The movie is meant to tell you about the rise and fall of Martin Cahill with a watchful eye to the social and political forces in Ireland. Boorman does just that. The scenes are well thought out and the acting solid. While this movie never hit the critical radar in America, it was praised both in Britain and at Cannes. When your in the mood for a story of a gangster who became a populist hero, take a look at this film. But if you want swift action scenes and graphic violence, it may be time for another viewing of Bonnie and Clyde.


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