When Clayton and Betty are by the car talking with the open car door between them, from one angle Betty is seen with her left hand on her hip then shown from the reverse angle her hand is on top of the car door. See more »
She was ugly when I brought her. I not like her. Mr. Jimmy not like her. Better you indicate, Mr. David.
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The format of the end cast credits, headlined "A Great Cast is Worth Repeating," mirrors the way Universal gave their closing credits when James Whale was directing his horror classics. See more »
Sir Ian McKellen & Lynn Redgrave Were Robbed of Oscars!
Among the most intriguing characters I've seen is Hanna (Redgrave). I knew she was in the film, there she was in the opening seen & I still kept looking for her! That's how terrific her characterization is of the Hungarian Catholic widowed maid to the flaming gay famed director, James Whale (Sir Ian McKellen).
Is there 'any' character that Sir McKellen can't play to perfection today? In "God's & Monster's", McKellen mastered Whale & gave Fraser an acting lesson ::winking::.
To watch the two real life friends, Lynn Redgrave & Ian McKellen, play purrfect foils--Hanna praying for her beloved "Mr. Jimmy's" 'unspeakable' sinful soul because he's gay was hysterical. McKellen pretending to flirt with Fraser, the epitome of a t-totally straight guy that any gay guy could clock in a heartbeat, was also side-splitting. Hanna believing they were having a romantic relationship was just too much fun as she threw serving trays at them & gave Whale scorned looks as if to kill whenever he'd have Fraser in for lunch or tea. These subtleties made the movie an absolute delight.
Thus, while heavy drama was going on, there was a comedy line-in-cheek throughout the motion picture. Of course, the plot proves why "Mr. Jimmy" was provoking his hunk of a gardener (Fraser) . . . but I'm not telling. That's the best part of the picture.
Whoever claims this movie is 'gay-bashing' doesn't know the meaning of it. The movie was about the director of "Frankenstein & Bride of Frankenstein." He just so happened to be gay, & thus, part of his life story as a gay man had to be featured in the film. Hanna playing a religious foil was right on time for the moment of the release of the film when the major church denominations are factionalizing over gays being equal in the churches! That's a great film--one that conveys a social struggle in the character of one great actor, Lynn Redgrave. She got the attitude of the church exactly right.
Doing a queer critique of "God's & Monsters," I rate it a 20 out of 10! This was not the silly, slapstick, "To Wong Foo," bizarre, "Stonewall," that was all out of context from the reality of the characters, or there ever so unreal (but cute), "Priscilla Queen of the Desert." This story is very true to life then & now. It came out right on time, as well.
Lynn Regrave delivered the performance of her lifetime! In my mind she won the Oscar. McKellen gave another of his stellar characterizations & also won my Oscar. I also feel the picture should have been best picture of the year. Fortunately, many other notable awards were given that the blindered Film Academy was too dense to do itself. Redgrave was most robbed of her Oscar because she was anyone but herself! She wasn't even recognizable as Lynn Redgrave, for heaven's sake.
So if anything or anyone was gay bashing, it was the Film Academy itself, for overlooking the Oscar winning performances of Redgrave & McKellen & the Best Picture of the Year.
. . . & I'm still watching it in late August 2007.
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