It is 1888 in London, and the unfortunate poor lead horrifying lives in the city's deadliest slum, Whitechapel. Harassed by gangs and forced to walk the streets for a living, Mary Kelly and her small group of companions trudge on through this daily misery, their only consolation being that things can't get any worse. Yet things somehow do when their friend Ann is kidnapped and they are drawn into a conspiracy with links higher up than they could possibly imagine. The kidnapping is soon followed by the gruesome murder of another woman, Polly, and it becomes apparent that they are being hunted down, one by one. Sinister even by Whitechapel standards, the murder grabs the attention of Inspector Fred Abberline, a brilliant yet troubled man whose police work is often aided by his psychic abilities. Abberline becomes deeply involved with the case, which takes on personal meaning to him when he and Mary begin to fall in love. But as he gets closer to the truth Whitechapel becomes more and ...Written by
Though there were many rumors (and speculations) as to whether the victims knew each other, there is no real evidence that they did. See more »
By the late 1800s glass windows were becoming common, and while the glass was heavier and sometimes uneven, it was certainly clear and very much like modern glass (although more expensive). While still produced by a glass-blower, it could be blown into large sheets and cut for windows. Thus the modern-looking windows in the movie could have been around in 1888. See more »
Jack the Ripper is the ostensible subject of Albert and Allen Hughes' From Hell, but this legendary figure is more a point of departure, an obviously sensational hook, than the film's focus.
30 Second Bottom Line: The infamous Jack the Ripper serial killer mystery unfolds in Victorian England as a stylistic who dun it.
From Hell is an exciting murder mystery with a number of hints about who dun it to keep things interesting every step of the way. Depp gives his expected, outstanding and other worldly performance. Ian Holm, Katrin Cartlidge, Robbie Coltrane and Ian Richardson and some of the unnamed prostitutes give the film an edge that takes us back a century in time. Heather Graham is OK and I'm pleased to see her doing something beyond Say it Isn't So and more along the lines of Sidewalks of New York. She is, however, a little too pretty, sophisticated, charming and clean for a street ho. Katrin Cartlidge would have been a better Mary. It's a little bit of a stretch to envision the Inspector and the whore Mary falling in love, but stranger things have happened.
It's always gratifying to see actors, writers and directors grow; and certainly the Hughes Brothers are doing that. They have not made a lot of films but each one is very good. The two could be a Stanley Kubrick in the making, as he only made 13 films during a long, respected and controversial career. Since 1993, they've made Menace II Society, Dead Presidents and American Pimp. From Hell is more sophisticated while still retaining a dark tone that is not depressing. Peter Deming as cinematographer has outdone himself with From Hell and Mulholland Drive. It's clearly Oscar caliber work.
Although From Hell is based on a comprehensive novel of the same name by Alan Moore and Eddie Campbell, with the focus on a real killer in 1888, the film is not trying to be a JFK and convince us how it really happened. That said, when you realize who the killer is you are faced with an interesting hypothesis.
Jack the Ripper may have been crazy, but he was acting out of logic (his own to be sure) and for a reason other than wanting to kill a few prostitutes. The fog in London finally is lifted on the murder mystery and on the Hughes Brothers being great directors.
Message on the movie: We can't always have what we want from life. Evil exists. Victorian England was a very unpleasant place and era.
So the conclusion is that this movie is a fair movie althouht actually it hadn't got a very clear ending, it is fantastic thriller to watch and remember don't miss this one.
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