A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.Written by
Near end of this film, Duke takes too much "andrenichrome" and has a nasty experience. Andrenichrome was a substance that Hunter S. Thompson made up for the book when he originally wrote it, and was kept in the script by Terry Gilliam. The name itself wasn't new - Adrenochrome is an oxidation product of adrenaline, while Adrenochrome semicarbazone, also known as carbazochrome, is used as a medicinal drug to reduce capillary bleeding - however, neither compound is a hallucinogenic drug as portrayed in the book and film. After showing a rough cut of the film to a test audience, Gilliam was approached by a group of young men, one of which complimented him on the film in general, but said that his favorite scene was the andrenichrome scene. He said that he had used the drug, and that Gilliam had captured the effects perfectly. Gilliam didn't have the heart to tell the kid that it was made up, and went along with his story. See more »
When Duke spots the patrolman behind him, the pattern on the center line on the road in front of the car is different from that behind. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
[...] See more »
The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
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