The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.Written by
Laurence Mixson
During Raoul Duke's acid trip in the bar of the hotel when he first arrives in Las Vegas, you hear "Roger Pratt, please report to the front desk" being said on the P.A. Roger Pratt worked with Terry Gilliam on Monty Python and the Holy Grail (1975), Brazil (1985), The Fisher King (1991), and 12 Monkeys (1995) as his cinematographer - but not on Fear and Loathing. See more »
Goofs
During the restaurant scene in north Vegas, the lighting outside changes four times. Most noticeably right at the end when Duke is leaving. Its dark outside while he stands at the door, but when after returning the plate, it is much lighter. See more »
Quotes
[first lines]
Raoul Duke:
[narrating]
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
Raoul Duke:
I feel a bit lightheaded. Maybe you should drive.
Raoul Duke:
[narrating]
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Raoul Duke:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Raoul Duke:
Huh! Huh! Huh! Fucking pigs.
Dr. Gonzo:
Did you say ...
[...] See more »
Crazy Credits
The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »
Expecting To Fly
Written by Neil Young
Published by Broken Arrow Music Corporation
Performed by Buffalo Springfield
Courtesy of Elektra Entertainment Group
by arrangement with Warner Special Products See more »
User Reviews
This film was too weird to live, yet too rare too die.
Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.
Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded.
The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.
But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat.
This film was too weird to live, yet too rare too die.
10 of 12 people found this review helpful.
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Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.
Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.
But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.