Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Reed Richards, a brilliant but timid and bankrupt scientist, is convinced that evolution can be triggered by clouds of cosmic energy, and has calculated that Earth is going to pass one of these clouds soon. Together with his friend and partner, the gruff yet gentle astronaut muscle-man Ben Grimm, Reed convinces his conceited MIT classmate Dr. Victor Von Doom, now CEO of his own enterprise, to allow him access to his privately-owned space station. Von Doom agrees in exchange for control over the experiment and a majority of the profits from whatever benefits it brings. He thus brings aboard Susan Storm, his shy, though assertive chief genetics researcher and a former lover of Reed's with whom she had an acrimonious break-up, and her diametrically opposed brother Johnny, the maverick and hot-headed playboy pilot. The astronauts make it home intact; however, before long they begin to mutate, developing strange and amazing powers as a result of their exposure to the cloud! Reed is able to...Written by
Anthony Pereyra <email@example.com>
Ioan Gruffudd was very excited about showing off to his Welsh parents that he was working on a major Hollywood production. Unfortunately, the day they came to visit him on set, he was filming an elevator scene. See more »
After returning to NY, the 4 are sequestered in the Baxter Building. After a few days, Johnny leaves without notice and he already has new vanity license plates on his car. See more »
Typical of Victor Von Doom to build a 30 foot statue of himself.
See more »
The Marvel Comics logo features comic-book images of the Fantastic Four in its pages; it's also shaded blue, the uniform color of the Four. See more »
The Airline version is slightly different. The following difference's include:
Instead of the talk Sue and Reed have on the bridge, they're in a Planetarium instead.
During the final confrontation with Dr. Doom, Thing knocks open a fire hydrant and Mr. Fantastic puts his body in an "S" shape to amplify the water, instead in this version it cuts to Thing using his foot as if he did everything himself.
The scene where Victor opens the energy globe and puts his arm in it to increase power, large bolts of electricity jump out in the theatrical version, in this version, there are no bolts of electricity, indicating the effects were not finished.
The scene where Reed proposes to Sue on the boat, he just stands up normally and delivers his proposal with a different acting take.He doesn't kneel down while still standing as he did in the theatrical version.
Some shots of crashing cars on the bridge were cut.
Some language was cut, mostly reference's to God.
The scene where Victor picks up his phone and says " Leonard, bring Ben Grimm to the Baxter Building " was changed to " Leonard, bring me my Lab Rat ".
The Death of Victors' boss is slightly edited.
The scene where Thing walks into the bar has a different song playing and the glasses don't shake, nor does the record skip in this version.
During the scene where Sue, Reed and Johnny are taking a cab to the Brooklyn Bridge we hear a voice-over of Reed saying " Ben told us to meet him here at the Brooklyn Bridge " after this voice over it cuts to the three of them in the car.
This does not happen in the theatrical version.
During the scene where Johnny puts a shirt on and burns it and tells Reed and Sue he has " a serious problem " we can actually hear him yell off-screen and also hear flames shoot out as well before he informs then of what happened. In the Theatrical Version we just see his burnt shirt and the following line.
Although the film was shot in the Super 35 process, this version Pans and Scans as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are.
I was very upset at hearing that Director Tim Story was helming this project. Knowing his past works (Taxi & barbershop) and the past failed attempts with this title, I was not confident in his ability to tell this story.
I WAS WRONG.
The story and Character development of this project were tight and the special effects were awesome as well. There are some aspects of the film that I still cal into question (Jessica Alba has neither the age or the depth for the sue storm Character) but I understand certain concessions of making a large budget studio project. (Besides ALBA IS HOT, especially in the skin tight blue suit) All in all, I say "Good work Mr. Story" I'm sorry for doubting you>
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