After his wife, Alice, tells him about her sexual fantasies, William Harford sets out for a night of sexual adventure. After several less than successful encounters, he meets an old friend, Nick Nightingale - now a musician - who tells him of strange sex parties when he is required to play the piano blindfolded. All the men at the party are costumed and wear masks while the women are all young and beautiful. Harford manages to find an appropriate costume and heads out to the party. Once there, however, he is warned by someone who recognizes him, despite the mask, that he is in great danger. He manages to extricate himself but the threats prove to be quite real and sinister.Written by
Stanley Kubrick's widow & estate have publicly expressed their anger/ disapproval at co-screenwriter Frederick Raphael when he released his 'Eyes Wide Open: a memoir of Stanley Kubrick' book immediately after the films first theatrical release. the book details candid information about Raphael's relationship whilst co-writing the 'Eyes Wide Shut' screenplay with Stanley Kubrick which they claim was written & published without their permission. See more »
The position of the stuffed tiger on Domino's bed changes between shots. See more »
Special thanks to the staff of Hamleys of London. See more »
In the lengthy shot where Nicole Kidman dances naked in front of a mirror to Chris Isaak's "Baby Did A Bad Bad Thing," the second half of the shot, once Tom Cruise walks over, has been zoomed considerably for the DVD. The first half is as it was shown in theaters, with rear nudity from Kidman, but seconds before Cruise enters the frame, the image starts to zoom up and in rapidly, so that when Cruise enters, only a section from his elbow up is visible. In the theatrical version, when Cruise enters, the frame goes well below his navel. See more »
I remember when Kubrick passed away. I read it in the morning newspaper, and was struck with deep sadness I couldn't explain. Mind you, I was not even 12 years old at the time and had barely seen any of his films.
So I went to see "Eyes Wide Shut" (1999) at the cinema. I credit it, along with Terrence Malick's "The Thin Red Line" (1998), as an experience that ignited my interest in film, since they were both films like I had never seen before. Sure, there's that one reason why a young lad might be interested in this, but I was so struck by its atmosphere and narrative flow that I had to read Schnitzler's "Traumnovelle". And how disappointed I was in how unalike they were. The film was in a world of its own that had a sense of time that was its own, a sense of colour that was its own, a sense of light that was its own. Every movement was languid, every word deliberate.
I never really thought about the connection between this and Malick's film until now, but really, they both move in the realm of dreams and memories and projected, subjective realities – between something that did happen (to someone) and something that might have happened. There's ellipsis, ambiguity, metaphor. Both work their magic in visual terms. I'm soaked in that light from the ball even by recalling the images in my mind as I'm writing this.
Fidelio – enter.
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