A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
After his wife, Alice, tells him about her sexual fantasies, William Harford sets out for a night of sexual adventure. After several less than successful encounters, he meets an old friend, Nick Nightingale - now a musician - who tells him of strange sex parties when he is required to play the piano blindfolded. All the men at the party are costumed and wear masks while the women are all young and beautiful. Harford manages to find an appropriate costume and heads out to the party. Once there, however, he is warned by someone who recognizes him, despite the mask, that he is in great danger. He manages to extricate himself but the threats prove to be quite real and sinister.Written by
Stanley Kubrick and director of photography Larry Smith tested out different film stocks and finally settled on one that had been discontinued by Kodak. As a courtesy, Kodak offered to supply as many rolls of this film as would be needed for the project. See more »
When Alice and Helena are doing story problems, Alice says "Joe has two dollars fifty," which is a UK/Australian construction, as opposed to the more American "two dollars and fifty cents" or "two fifty". See more »
A Potpourri of Vestiges Review: Kubrick's swan song, and arguably his greatest
Stanley Kubrick is unarguably Anglo-American cinema's most potent reply to the 'Fellinis', the 'Bunuels', the 'Bergmans', the 'Kurosawas', the 'Rays', and the 'Tarkovskys' of the world. Ubiquitously known for his inexorable yearning for perfection and uncanny innovation, Kubrick had managed to hold millions of viewers worldwide in a transfixion through his brilliant works for well over four decades. Regarded by Kubrick as his very best, Eyes Wide Shut is incredibly brilliant and sui generis. It's an elixir for the sore eyes; a panacea for the perturbed souls; a surreally psychedelic pleasure. Like most of his avant-garde works, Eyes Wide Shut is open to speculation and can be interpreted in a number of ways.
Despite being rife with nudity, Eyes Wide Shut cannot be stigmatized or snubbed on the account of eroticism. On the contrary, it is aesthetic as well as thought-provoking. The movie incredibly manages to have a tremendous impact on the intellect as well as the viscera, asking incessant questions of the viewer while simultaneously haunting his thoughts and refining his imagination. The story revolves around a New York based doctor whose wife's confession of ephemeral infidelity perplexes him. Consequently, his chagrin and dudgeon drives him into a night of debauchery where he gets a lesson on sexual and moral enlightenment, which inexplicably saves him from an incipient turmoil. The cinematography is awe-inspiring to say the least and is well complemented by the plaintively haunting background score. The orgy scene, which is treated with contempt by many, is undoubtedly one of the most vivid scenes ever visualized or choreographed in the history of cinema. In fact, it is Kubrick's brilliant showmanship that makes it so very special.
Tom Cruise is absolutely brilliant and convincing in the challenging portrayal of Dr. Harford and succeeds in having an enormous impact on the viewers and also manages to evoke their empathy. The nocturnal odyssey being rife with debauchery and decadence, ironically serves as a lesson of moral reformation. Nicole Kidman is ravishingly scintillating in her portrayal. The couple has incredibly managed to mirror their real life chemistry and tension on screen.
The movie is a quintessence of cinematic excellence and can only be relished by discarding bigotry, conservatism and prejudice. The movie is a delectable feast and a must watch for patient viewers and lovers of avant-garde cinema. 10/10
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