Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Joey Lauren Adams,
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven.Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
In the scene where Jay (Jason Mewes) and Silent Bob (Kevin Smith) are watching Serendipity (Salma Hayek) perform, one shot cuts from Serendipity to Jay, who is running his hands down his face. This happens because half the shot was cut. Bethany had originally smacked Jay upside his head, while telling Rufus (Chris Rock) what happened to her car, and Jay was pulling his cap back down over his head. See more »
At the beginning of the re-dedication ceremony, the Cardinal is standing on the steps to the church and the trees are full of white blossoms. However, when the angels start to wreak havoc, the trees have their leaves. Clearly, this scene was filmed over several weeks... probably spanning late April to late May. See more »
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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"DOGMA" is the culmination of a lifetime's worth of disparate spiritual and satirical influences, which owes a debt to sundry storytellers and word-smiths these authors and instigators I humbly thank in no particular order... Saint Matthew, Saint Mark, Saint Luke, Saint John, Sam Kinison, George Carlin, Elaine Pagels, John Milton, Cervantes, Martin Scorsese, Alan Moore, Thomas Moore, Spike Lee, Douglas Adams, Robert Bolt, Quentin Tarantino, Nikos Kazantzakis, Denys Arcand, Neil Gaiman, Grant Morrison, Matt Wagner, Howard, Robin, Jackie, Fred, Gary, and Everyone at The Howard Stern Show and Sister Theresa from 8th grade See more »
"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
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