An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loop-hole and reenter Heaven.
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven.Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
Kevin Smith pursued Robert Rodriguez to direct the film. Rodriguez enjoyed the script, but in seeing how personal the story was, insisted that Smith himself direct. See more »
Goofs
While eating outside of Mooby, Rufus refers to Mary Magdalene as "Mary Magladin". See more »
Quotes
[first lines]
Announcer:
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Cardinal Glick:
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored symbol...
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Crazy Credits
The director would like to thank: God - whose idea it was to make both this film and me Scott - the most spiritual agnostic I know Jenny - who gives me strength, love, and major booty Mom and Dad - who raised me Catholic, more or less Affleck - a pimp with passion Gordon - our honorary Catholic Jew Harvey - our man on the Inside, who didn't let us dangle The Folks at Lions Gate - who saved us from oblivion Mewes - see? sober living paid off Yeoman - for raising that visual bar Howard - for that sweet Shore score Sloss - the long arm of the Law Phil - for making that cold-call Kim - for holding down the fort Gina and Tony - for the full-court press Bry and Walt - for no end of support and amusement Laura and Monica - for keeping us on time, on budget, and keeping Mosier happy (professionally and otherwise) The Cast - for genius work at shameful rates The Crew - for long hours and even more shameful rates Tom Elliot and Shore Fire Studios - because I forgot to thank them in the "Amy" credits and Harley Quinn - for giving me the opportunity to raise my own little Catholic See more »
Alternate Versions
The version of Dogma shown at Cannes in 1999 was shown at the Vulgarthon 2000 in Red Bank, N.J. on 10/30/2000. See more »
It's Like That
Written by Larry K. Smith (as L. Smith), Joseph Simmons (as J. Simmons) & Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as RUN-DMC)
Used by permission of Protoons, Inc. (ASCAP)/Rush-Groove Music (ASCAP)
Courtesy of Arista/Profile Records See more »
Dogma has plenty of funny religion-themed gags, but I was entertained by it mainly because I liked just about all of the characters and I enjoyed most of their dialogue.
There's not a lot of substance behind what they're saying, unlike in, say, Tarantino's films, but the fact that it's all fairly low-brow and goofy is what makes it good. Jay and Bob are fantastic with their little stoner quips.
The plot is fairly weak, but it's not supposed to be brilliant. It's easy to tell that Kevin Smith just enjoys playing around with Catholicism by poking and prodding at it.
Also, George Carlin is what was his usual comedic self in his cameo.
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Dogma has plenty of funny religion-themed gags, but I was entertained by it mainly because I liked just about all of the characters and I enjoyed most of their dialogue.
There's not a lot of substance behind what they're saying, unlike in, say, Tarantino's films, but the fact that it's all fairly low-brow and goofy is what makes it good. Jay and Bob are fantastic with their little stoner quips.
The plot is fairly weak, but it's not supposed to be brilliant. It's easy to tell that Kevin Smith just enjoys playing around with Catholicism by poking and prodding at it.
Also, George Carlin is what was his usual comedic self in his cameo.