Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Joey Lauren Adams,
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven.Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
Loki references Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and claims the novel is a criticism of organized religion. Not only does this cause the nun to abandon her calling, but it is ironic, in that Carroll was a conservative Christian, who openly defended Christian doctrines, and advocated the teachings of Christ. Loki then comments that he enjoys such pranks when directed at the clergy. It can therefore be noted that in the Norse mythology, Loki is a cheeky trickster god. See more »
Changing shadows and sunlight throughout the movie, especially when Rufus falls to Earth and at the St Michaels church. See more »
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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The director would like to thank: God - whose idea it was to make both this film and me Scott - the most spiritual agnostic I know Jenny - who gives me strength, love, and major booty Mom and Dad - who raised me Catholic, more or less Affleck - a pimp with passion Gordon - our honorary Catholic Jew Harvey - our man on the Inside, who didn't let us dangle The Folks at Lions Gate - who saved us from oblivion Mewes - see? sober living paid off Yeoman - for raising that visual bar Howard - for that sweet Shore score Sloss - the long arm of the Law Phil - for making that cold-call Kim - for holding down the fort Gina and Tony - for the full-court press Bry and Walt - for no end of support and amusement Laura and Monica - for keeping us on time, on budget, and keeping Mosier happy (professionally and otherwise) The Cast - for genius work at shameful rates The Crew - for long hours and even more shameful rates Tom Elliot and Shore Fire Studios - because I forgot to thank them in the "Amy" credits and Harley Quinn - for giving me the opportunity to raise my own little Catholic See more »
While held back from being truly stunning by some pacing issues and some minor script awkwardnesses, Dogma is an enjoyable trip from beginning to end. Smith plays textures like a cardshark - from action sequences to philosophical debates to stoned one-liners to dramatic monologues, the action flows remarkably smoothly for all of the twists that are thrown at it. I was also extremely impressed by the tasteful execution of the more violent scenes, where the graphic aftermath may be shown, but the action happens off-camera. One rough point was that a great deal of dialogue came of as expostiory - there was simply such a massive back-story (2000 years of religious history...go fig...) that it seemed at times that the plot had to fight its way through the background information. One particular shot also irked me - in the Bethany/Metatron scene in the cafe, every time the camera cut back to Bethany, she seemed to be in the exact same pose, and break it in a very similar way. I wonder if this was intentional, or if it was a continuity issue? The casting of God was simply inspired - her appearance was actually one of the highlights of the film. Towards the very end, there were some surprisingly touching moments (of course rendered through Smith's unique style), and the closing scene felt like something right out of a good ol' 80's movie (that's a good thing!). Issues and all, a truly enjoyable film!
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