Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
Journalist Jenny Lerner is assigned to look into the background of Secretary Alan Rittenhouse who abruptly resigned from government citing his wife's ill health. She learns from his secretary that Rittenhouse was having an affair with someone named Ellie but when she confronts him, his strange reaction leads her to reconsider her story. In fact, a comet, discovered the previous year by high school student Leo Biederman and astronomer Dr. Marcus Wolf, is on a collision course with the Earth, an Extinction Level Event. A joint US-Russian team is sent to destroy the comet but should it fail, special measures are to be put in place to secure the future of mankind. As the space mission progresses, many individuals deal with their fears and ponder their future.Written by
In the film's final trailer, the blue background used behind the text graphics, is a slightly altered version of the background used for the opening titles of Event Horizon (1997), another Paramount Pictures movie. See more »
First, neither NASA nor the US president is responsible for naming comets. At the time the movie came out, that task was the responsibility of the International Astronomical Union's Central Bureau for Astronomical Telegrams (since 2015, the IAU's Minor Planet Center has taken over that task). Second, since Dr Wolf had no knowledge of the comet until he received Leo's mail, he was not eligible to have his name attached to the comet. See more »
I talked to Civil defense. They said if you and I got married we'd be family, and I could get you in.
What about my parents? They're not your family. I don't want to go without my parents.
I'm the famous Leo Beiderman, and I haven't used my fame for anything, but I got them to let your family go, too. This is your only chance to survive.
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The opening DreamWorks logo ends with the clouds in the logo fading away to show the stars in space in the background, and the title words DEEP IMPACT are filled with a view of the Earth. See more »
Having seen such films as Armageddon and The Day After Tomorrow, I really expected this film to be basically an effects demo reel. Most disaster films fit into this category: their plot is loosely tied together with some major event; humanity is threatened, a group of heroes is sent to try to save the world, and mankind prevails over nature. The rest of the film is essentially nifty visual effects that don't do much to enhance the plot.
So when I saw the first half of Deep Impact, I was amazed. Apart from a brief montage of special effects in the opening sequence (a car crash that simply screams "big budget"), the movie is one of the first disaster movies I've seen that actually focuses more on the human side of the drama rather than the awesome visual effects that computers can accomplish.
Many times during the film, especially during the latter half, I felt myself touched by the realism that the actors and actresses convey. There are moments when you realize how fragile and precious life is, and that's saying something for a film of this budget.
While the visual effects are indeed impressive, there are other features that make Deep Impact a necessary film to watch. James Horner's music is strikingly similar to his previous "Titanic" and "Apollo 13" scores, but it is still hauntingly beautiful and fits the tone of the movie perfectly. Tea Leoni does a good job of portraying a newscaster attempting to cover the events surrounding her while dealing with her own personal emotions, which is undoubtedly a hard act to pull off. Elijah Wood shows his skill years before "Lord of the Rings" hit theaters. The other actors and actresses are very realistic and emotional, and the movie flows smoothly with their presence.
All in all, this movie is not one to be missed. Keep an open mind while watching this movie: don't watch it with the misconception that it's just going to be another one of those big-budget dull blockbuster films that gets churned out every summer. This one dares to avoid the seemingly standard clichés set by other films of the genre, which makes it a truly unique film to experience.
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