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Chicken Run (2000)

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When a cockerel apparently flies into a chicken farm, the chickens see him as an opportunity to escape their evil owners.

Directors:

Peter Lord, Nick Park

Writers:

Peter Lord (original story), Nick Park (original story) | 3 more credits »
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Popularity
3,673 ( 528)
Nominated for 1 Golden Globe. Another 23 wins & 25 nominations. See more awards »

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Cast

Complete credited cast:
Phil Daniels ... Fetcher (voice)
Lynn Ferguson Lynn Ferguson ... Mac (voice)
Mel Gibson ... Rocky (voice)
Tony Haygarth ... Mr. Tweedy (voice)
Jane Horrocks ... Babs (voice)
Miranda Richardson ... Mrs. Tweedy (voice)
Julia Sawalha ... Ginger (voice)
Timothy Spall ... Nick (voice)
Imelda Staunton ... Bunty (voice)
Benjamin Whitrow ... Fowler (voice)
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Storyline

Having been hopelessly repressed and facing eventual certain death at the chicken farm where they are held, Rocky the rooster and Ginger the chicken decide to rebel against the evil Mr. and Ms. Tweedy, the farm's owners. Rocky and Ginger lead their fellow chickens in a great escape from the murderous farmers and their farm of doom. Written by Cory Booth <WHMacy@yahoo.com>

Plot Summary | Plot Synopsis

Plot Keywords:

chicken | farm | escape | rooster | freedom | See All (42) »

Taglines:

The Cluck Stops Here See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | France

Language:

English

Release Date:

23 June 2000 (USA) See more »

Also Known As:

C:R-1 See more »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$17,506,162, 25 June 2000, Wide Release

Gross USA:

$106,834,564

Cumulative Worldwide Gross:

$224,834,564
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | SDDS | DTS-ES | DTS (Digital DTS Sound)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mel Gibson recorded all of his lines separately in the United States, while the rest of the crew recorded together at Aardman Animations, Ltd. in Bristol, England. See more »

Goofs

When Ginger says, in response to Rocky asking who would want to know if he was the rooster on the poster, "A rather desperate group of chickens. You see, if you are...", she starts saying it when the camera is on her. When the shot cuts to Rocky and Ginger's back is towards the camera, Ginger is still heard talking. However, Ginger's mouth isn't moving (you can see that her cheek isn't moving while the back of her head is still in camera). See more »

Quotes

Ginger: So laying eggs all your life and then getting plucked, stuffed, and roasted is good enough for you, is it?
Babs: It's a livin'.
See more »

Crazy Credits

Near the very end of the credits the conversation about which comes first, the chicken or the egg??, comes up again. The two rodents want to take an egg or a chicken and make a chicken farm to make their own eggs. However, they cannot decide if they need a chicken or an egg. Finally, Rocky the Rooster pipes in and says to "please pipe down". See more »

Alternate Versions

Originally, when Mrs. Tweedy was cutting off Edwina's head, the shadow on the wall actually depicted the axe coming downward before cutting away. It was further moved back to the current theatrical version where you see the axe going up, but not coming down. See more »

Connections

Referenced in Finding Nemo (2003) See more »

Soundtracks

Over the Waves
(aka (Sobre las olas")
Written by Juventino Rosas
See more »

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User Reviews

 
One radical cartoon
10 July 2000 | by RobT-2See all my reviews

The great animation director Chuck Jones has often stated that his cartoons "weren't made for children. Neither were they made for adults. They were made for me." Jones's seven-minute shorts were made on a far lower budget than the animated features of today. With features, much more money is at stake, as well as the livelihoods of more people. Because of the pressure to make back the investment, animated features can give an impression of being created by committee, as though tailored to fit some committee's idea of a prefabricated audience segment. It's remarkable, then, that Aardman Animation's "Chicken Run" shows off so much personality, the mark of a film made not for an imagined mass audience, but because it satisfied some need for the filmmakers-besides the need to put food on the table, that is.

The story revolves around an English egg farm designed a lot like a WWII-era prison camp, with overtones of the Nazi concentration camps as well, in that chickens that don't produce end up as dinner. While most of the chickens are resigned to their fate, one plucky hen named Ginger keeps leading escape attempts and keeps getting locked in "solitary" for her pains. Her task takes on new urgency when the Tweedys (the couple who run the farm) prepare to convert their operation into a chicken-pie factory. Hope arrives in the form of an American known (amusingly, in view of the recent "Rocky & Bullwinkle" film) as "Rocky the Flying Rooster", whom Ginger thinks can teach the chickens how to fly. Naturally, Rocky isn't really what he seems to be, and the revelation of his secret threatens to dash all hope of escape, because everyone knows chickens can't fly-or can they?

Unlike most cartoon films, "Chicken Run" is animated using clay figures in stop-motion. While this process involves much more labor than drawn animation, it also makes easier the use of many of the tools of live-action filmmaking, such as dramatic lighting and moving camera work. Directors Peter Lord and Nick Park both have considerable experience in this field, Park with "Creature Comforts" and the "Wallace & Gromit" series (perhaps the most popular animated shorts of the 1990's) and Lord as a co-founder (with David Sproxton) of Aardman and director of such shorts as "Adam", "Wat's Pig", and "Early Bird".

The look of "Chicken Run" displays a harmonious blending of Park's and Lord's strengths; the character designs have the cartoony look of Park's work, while the more realistic settings and backdrops (which appear subject to grime and weathering) are typical of those in Lord's films. All the major characters are distinctive and believable on their own terms; even the numerous chickens have their own distinct looks and voices. The only times the illusion of believability fails are when a clay chicken collides with a metal fence; I half expect to see the clay figure sliced up on the way through. (This may be a personal reaction, conditioned by years of exposure to "Tom & Jerry" and "Roadrunner/Coyote" cartoons.) The story moves efficiently and contains much humor and detail that reward close attention, as well as bravura set-pieces such as Rocky and Ginger's dramatic encounter with the Tweedys' pie machine.

While it has justifiably been compared with military prison-camp escape movies such as "Stalag 17" and "The Great Escape", as well as with the revisionist farm-animal melodrama "Babe", the movie "Chicken Run" resembles most is Pixar's computer-animated "A Bug's Life". The resemblence lies partly in certain details of plot (such as the hero[es] who isn't/aren't what he/they seem to be) but mostly in the nature of the story itself. While human prisoners have a life before prison upon which to look back upon, the chickens in this movie have never known such freedom. Thus, when Ginger talks of escape, she not only urges them to change their location but their entire way of thinking. In chicken terms, this is a radical message, the same one put forth by all the great human radical organizers: that those who are exploited have a right to expect a better life. Though the species and the methods of exploitation are different, "A Bug's Life" shares this revolutionary message (with Flik playing the radical visionary part). Both movies also stress the importance of banding together against oppressors whose power turns out to be more apparent than real.

While one could quibble about such commonalities, I'm impressed that two such films exist at all, that they were funded by major Hollywood studios (Disney for "A Bug's Life", Dreamworks for "Chicken Run"), and that kids love them and parents don't mind watching them more than once. One wonders if the parents know exactly what it is they're watching, and letting their kids watch. Then again, maybe they, too, believe they and their children deserve better lives, and enjoy seeing fellow victims of exploitation get such a life in the end.


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