5.9/10
6,588
209 user 67 critic
Based on the book by Toni Morrison, in which a slave is visited by the spirit of a mysterious young woman

Director:

Jonathan Demme

Writers:

Toni Morrison (novel), Akosua Busia (screenplay) | 2 more credits »

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Nominated for 1 Oscar. Another 3 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Yada Beener Yada Beener ... Denver aged 9
Emil Pinnock Emil Pinnock ... Howard aged 14
Calen Johnson Calen Johnson ... Buglar aged 13
Oprah Winfrey ... Sethe
Beah Richards ... Baby Suggs
Danny Glover ... Paul D
Kimberly Elise ... Denver
Jude Ciccolella ... Schoolteacher
Kessia Embry Kessia Embry ... Amy Denver (as Kessia Kordelle)
Dashiell Eaves ... Schoolteacher's Nephew
LisaGay Hamilton ... Younger Sethe (as Lisa Gay Hamilton)
Tyler Hinson Tyler Hinson ... Baby Beloved
Brian Hooks ... Young Paul D
Hill Harper ... Halle
Thandie Newton ... Beloved
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Storyline

After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen... Written by Jeremy Cohen <crashbug@ix.netcom.com>

Plot Summary | Plot Synopsis

Plot Keywords:

spirit | farm | freedom | slavery | ohio | See All (154) »

Taglines:

The past has a life of its own.

Genres:

Drama | History | Horror

Motion Picture Rating (MPAA)

Rated R for violent images, sexuality and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 October 1998 (USA) See more »

Also Known As:

Agapimeni See more »

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend USA:

$8,165,551, 18 October 1998, Wide Release

Gross USA:

$22,852,487
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The different feel for the flashback sequences was achieved by shooting on reversal negative, a cheap film stock once used for newsreels, which was inspired by seeing The Enigma of Kaspar Hauser (1974). See more »

Goofs

When Paul D first arrives and sits on the porch with Sethe, her braids are in front of her shoulders. In the full shot that comes immediately after Sethe's braids are behind her shoulders. See more »

Quotes

Baby Suggs: No matter what happen, God has led you home. So lay em' down Sethe, sword and shield. For God has led you home.
See more »

Connections

Referenced in One Missed Call (2008) See more »

Soundtracks

Sethe's Lullaby
Written by Toni Morrison and Rachel Portman
Performed by Oprah Winfrey
See more »

Frequently Asked Questions

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User Reviews

Amazed
20 March 1999 | by DannyBoy-17See all my reviews

I read Beloved in an intro English course and it took me a long while to get used to Toni Morrison's writing style. She once said in an interview that she wrote the book to be disorienting, in some ways to re-enact the feeling of the slave diaspora.

I thought the book heart-wrenching, at times gut-wrenching, and vivid. The character of Paul D never made much sense, seeming like a man waiting for something to happen, but Sethe burned off the page. What I remember most is Baby Suggs' speech at the rock, which the film has divided into three segments.

I projected Beloved for the college theater and I have to say it was long and arduous, especially if you haven't read the novel. There is no SENSE to the PAIN that goes on with these characters; in Braveheart and Titanic, we have a certain tragic pleasure in mass death or torture that we can't receive from Beloved. I read a lot of comments talking about the ghost in Beloved, but the ghost is more of a catalyst for looking into the characters than the star of the film.

I admired the time put in most. It just seemed like Demme and Tak Fujimoto, and the lighting designer as well, gave the actors the time they needed to act and sink into things: unlike traditional MTV-editing, some scenes were comprised of only one shot, usually tracking, as Paul D and Sethe in the cornfield. The score was brilliant; Portman really found a grace in stillness and the trembling African voice and the flute. It was bare but riveting at the same time.

People have said that the film went for too much shock value. That's possible- did we need the close-up of the dead child at the breast? No. But then again when we read it in the book, don't we think of it? Don't we for a split second see that image in our heads? I for one thought of much more graphic things when Morrison discussed Paul D and Beloved's night in the shed. The camera and the actors treat the world of Beloved and the audience with respect. Winfrey does seem more like someone who loves Sethe's character, than Sethe herself, but she did it for me. The sadness, the strength, emptiness, she did it, and Lisa Gay Hamilton as the young Sethe was riveting with her time in the film. The look in her eyes when Schoolteacher says "Animal" is amazing.

Danny Glover always does a good job, but he didn't really amaze me. For me, you know what you're getting with Glover, nice guy, troubled soul, easy-going with fits of rage every now and then. It's what he likes to play, and he does it well here but no surprises. The surprises are Winfrey, and Kimberly Elise especially in those crucial minutes when she decides to leave home, the fear and determination on her face. (She somehow becomes more sexual by the end of the film when she sees Paul D.) Thandie Newton is incredibly freaky and disgusting as Beloved with the exception of that ONE long gaze she gives Danny Glover that night, seduction, perfect symmetry. And Beah Richards as Baby Suggs: I wanted her to be my mother. She broke my heart with her religion: "This is the prize. This is the prize." The preaching scenes are INCREDIBLE in this film, especially since Tak Fujimoto chooses a circular tracking shot that allows them to do it all at once.

There isn't much redemption at the end. Sethe is drained and miserable. Paul D is on his own but still not totally free. I think Roger Ebert's comment put it best: the happy ending of Beloved is that the ordeal is OVER. There is no sense to the pain, but one hopes at the end that there can be healing.

I loved this film. I loved the fact that it's not hammering any one message home, but you can take things about motherhood, race, brutality, the dangers of love and commitment, freedom, and chains out with you: it's all there. And it is as beautiful as it is wrenching.


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