Haunted by so many painful and well-hidden secrets, the former slave, Sethe, is bent on turning over a new leaf, and finding freedom for the sake of her children. Out of the blue, as Sethe struggles to grapple with her troubled past in her humble home somewhere in post-Civil-War Cincinnati, Paul D, an old familiar from the Kentucky farm euphemistically called Sweet Home, re-enters Sethe's life, eager to lend her a hand. Then, a stranger arrives in the shape of a mysterious young woman, giving rise to a series of repressed memories. But, who's that feral girl? Can Paul D help Sethe reinvent herself?Written by
In lieu of traditional opening credits, the movie begins with the camera moving through a cemetery to focus on a gravestone engraved with the sole word "BELOVED". See more »
In the version aired on television there is a deleted scene and two alternate scenes. The TV version also removes any mention of Sethe's sons. They don't exist in the TV version.
The first alternate scene is when Paul D is telling Sethe about Halle being in the loft. In the theatrical you see Paul D quoting Halle. In the TV version there is a flashback to Halle (Hill Harper) saying "The loft."
The second alternate scene in the prayer group discussing how to deal with Sethe being haunted by Beloved. In the theatrical there is a line about Sethe being like batter. In the Tv version that is removed and there is a line inserted from another woman saying "I don't mind a little communication between worlds but this is invasion" and another character says "we better get to work and pray"
The deleted scene added for the TV version has Stamp Paid asking Paul D if beloved is his problem and not what Sethe did. See more »
Storise Khoro Goliamo
Performed by Mita Stoychera
Courtesy of Yazoo Records See more »
close to film perfection
I saw this amazing film at the theatre and was skeptical going in due to Oprah's campaigning for it so heavily but was blown away regardless--after watching it again I understand her pleas. This stunning story and its brilliant execution by an outstanding director, cast and crew was seen by far too few people. It should have swept the oscars and if I recall--was merely nominated for costume design the same year that literally no black actors, directors, or films were nominated in any of their categories. wow--a real eye opener on how little respect good art recieves even today--let alone artists of color. I'd like the opportunity to tell each and every member of the cast how astonished I was even hours later. A beautiful, rich, and generous film. An earnest thank you to everyone who helped get it made. Bravo and thank you!
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