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The Bachelor (1999)

PG-13 | | Comedy, Romance | 5 November 1999 (USA)
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A committment-phobic man goes in search of a bride, including his fed-up girlfriend, to inherit his grandfather's one hundred million dollar inheritance.

Director:

Gary Sinyor
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chris O'Donnell ... Jimmie Shannon
Renée Zellweger ... Anne Arden
Artie Lange ... Marco
Edward Asner ... Sid Gluckman
Hal Holbrook ... Roy O'Dell
James Cromwell ... The Priest
Marley Shelton ... Natalie Arden
Peter Ustinov ... Grandad James Shannon
Katharine Towne ... Monique
Rebecca Cross Rebecca Cross ... Stacey
Stacy Edwards ... Zoe
Mariah Carey ... Ilana
Sarah Silverman ... Carolyn
Jennifer Esposito ... Daphne
Brooke Shields ... Buckley Hale-Windsor
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Storyline

James Shannon III (Chris O'Donnell) is seeing his single friends get married one by one. He isn't too worried until his girlfriend Anne Arden (Renée Zellweger) catches the bouquet at his friend Marco's (Artie Lange's) wedding. Suddenly, his wild mustang days are numbered. He finally decides to propose to her, but he sticks his foot in his mouth and botches the proposal. Being insulted by the defeatist proposal, Anne leaves town on an assignment. After she's gone, he finds out that his recently-deceased Grandad James Shannon's (Sir Peter Ustinov's) will stipulates that he gets nothing of a multi-million dollar fortune unless he's married by 6:05 p.m. on his 30th birthday: tomorrow. Not being able to find Anne, Jimmie begins backtracking through his past girlfriends to find a wife. Written by Tony B

Plot Summary | Add Synopsis

Taglines:

One thousand brides. One hundred million dollars. Jimmie Shannon is about to discover the true value of love.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

5 November 1999 (USA) See more »

Also Known As:

El soltero más codiciado See more »

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Box Office

Budget:

$51,000,000 (estimated)

Opening Weekend USA:

$7,480,288, 7 November 1999, Wide Release

Gross USA:

$21,731,001, 20 February 2000

Cumulative Worldwide Gross:

$36,822,378
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This movie is based on the Buster Keaton silent movie Seven Chances (1925). This movie was shot in San Francisco, filming in some of the same areas that Keaton used for Daydreams (1922). See more »

Goofs

When Jimmie breaks the balls in billiards room the violet ball ends next to edge. In next shot it's in middle of table. See more »

Quotes

[Before Jimmie asks his ex-girlfriend Buckley to marry him]
Marco: OK, crunch time. Seventh game of the World Series. Bottom of the ninth. Two outs. Full count. It's our last chance. There's no tomorrow. Got it?
Jimmie: Four cliches ago.
See more »

Alternate Versions

An "edited for family viewing" edition was released on video in 2001. This edition was not rated by the MPAA. See more »

Connections

Remake of Meet Me at the Fountain (1904) See more »

Soundtracks

So Long!
Written by John C. Boydston, Barry E. Shulman and William Beatty
Performed by Indigo Swing
Courtesy of Time Bomb Recordings/Arista Records, Inc.
See more »

Frequently Asked Questions

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User Reviews

Calling this movie misogynist is a hoot!
12 August 2001 | by djexplorerSee all my reviews

"The Bachelor" is a pretty good light romantic comedy. Brook Shields does indeed have the best scene in the whole flick. It's well described below, and is wonderfully funny. Rene Zellweger is both very good and very charming, as is Chris O'Donnell. It's not the sort of movie that will stay with you for much, but its pretty good fun while it's going on.

There's one thing I have to say though, and the main reason I'm bothering with a comment to this flick. Those that claim this movie is unrealistic and misogynist because of it's depiction of O'Donnell's former girlfriends and the huge number of women desperate for 100 million dollars, are infected with a serious case of delusional feminist PC propaganda. I can guarantee you that if an ad (turned into a front page article) with a picture guaranteeing sharing in a $100 million fortune for marrying a guy who looks like Chris O'Donnell the next day in a big American city (and clarifying that he was deadline desperate due to the date of his grandfather's death and the will provisions, so that many would feel they had a chance and he wasn't necessarily an impossible loser), there would indeed be hordes of women lining up to do it. Many wouldn't of course. But there'd be legions willing to take their chances. One of the main things limiting the numbers in fact would be self selection. The cliché that women (especially after their early 20's) tend to be attracted to money (or its prospect), fame and or success, while men tend to be attracted to beauty, has more than a little truth to it. Of course there also has to be personal chemistry in the ordinary course, but with $100 million on the table, a great many women would take their chances. So the crowd scenes are indeed plausible (if so many managing the wedding dresses on a few hours notice isn't).

What's most unrealistic is the PC "balancing" rejection this centi-millionaire gets from all but one of his former girl friends. That of course is what takes up the bulk of the movie. That is what is impossible to believe in the real world. In other words, "The Bachelor" actually leans over backwards to pretend that a far higher proportion of women wouldn't be swayed by the $100 million than is realistic. But just imagine how a more accurate balance would be criticized by the American media (not to mention academic) pundits of the moment. There are endless dismissive allusions to men being unduly or primarily interested in women's looks in today's American films -- and that that is terrible. (Why -- well, because women tend to have different priorities, and women must be right not only for themselves, but for men as well, of course.). That sort of commentary (with some basis in truth, if not in how it is characterized), often clearly intended as a put down of males, is perfectly fine under the reigning Hollywood ideology. Whereas highlighting women's special attraction (often enough) to men with power of various sorts -- money, fame, politics or sometimes physical power -- is dangerous ground indeed. Gee, I wonder why that is.


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