Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
It is just another day at the National Aeronautics and Space Administration (NASA), a few astronauts were repairing a satellite until, out of nowhere, a series of asteroids came crashing into the shuttle, destroying it. These asteroids also decimated New York soon thereafter. Then, NASA discovered that there is an asteroid roughly the size of Texas heading towards the Earth, and when it does hit the Earth, the planet itself and all of its inhabitants will be obliterated, worse, the asteroid will hit the Earth in 18 days. Unfortunately, NASA's plans to destroy the asteroid are irrelevant. That is when the U.S. military decides to use a nuclear warhead to blow the asteroid to pieces. Then, scientists decide to blow the asteroid with the warhead inside the asteroid itself. The only man to do it, is an oil driller named Harry Stamper and his group of misfit drillers and geologists. As he and his drill team prepare for space excavation, the asteroid is still heading towards the Earth. When...Written by
Bruce Willis came to the film after he decided a comedy he was filming called "Broadway Brawler" could not be salvaged, and sought a way to exit the project. Disney's then-head Joe Roth worked out a deal where Willis would star in Armageddon and two future films for the studio, and in exchange, Disney would absorb the failed project's costs as an advance against his initial salary. The two films Willis later made under this deal were The Sixth Sense (1999) and Unbreakable (2000). See more »
When mission control is talking to the shuttle, the camera swaps between the two whilst Dan Truman talks continuously. On each shot of mission control showing a digital clock in the background, the clock jumps forward 2 seconds the first time and then 6 seconds the second above normal time progression. See more »
[Camera shoots past the moon to slowly zoom in on the Earth]
This is the Earth, at a time when the dinosaurs roamed a lush and fertile planet.
[From behind the camera, a giant asteroid appears, speeding towards the Earth ahead of it]
A piece of rock just 6 miles wide changed all that.
[Blazing through the atmosphere, the asteroid impacts with a spectacular display of fire and destruction]
It hit with the force of 10,000 nuclear weapons. A trillion tons of dirt and rock hurtled into ...
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Portions of the video of Grace Stamper and A.J. Frost's wedding are shown during the final credits. See more »
My Ultimate Guilty Pleasure- how do you assign a rating to that?
This movie is my ultimate guilty pleasure. It's inane, manipulative, has hyperactive cutting, a ton of glaring inaccuracies (pointless to even discuss or debate), and probably 29 other glaring faults. And why in every dramatic slow-mo emo shot are there 3 helicopters flying in unison overhead? What's the point of having 3 helicopters flying really close together? Who cares! It looks cool. If one day I am having a heartfelt talk with my daughter, I hope there are 3 helicopters flying overhead to really 'bring it home' (and Aerosmith performing in the background.)
Despite it all, I still love watching this movie. Anytime it is on TV I can watch it 'til the end. Bruce Willis does a great job doing his Bruce Willis 'thing' (smart alecky tough guy), and the supporting cast is really great. Steve Buschemi in particular gets the best lines. An awesome assortment of ragtag castoffs (spitting funny one-liners) must save the world- who would have thunk it?
I think Armageddon was actually conceived by suits in a studio office (no really, I read that in a magazine), which is I guess another strike against it. Yet only a bunch of suits could come up with a 'high concept' like this (so high it's basically a parody by itself.) And only a director like Michael Bay could make it. He's far more suited to these types of movies, rather than big historical epics like PEARL HARBOR (which I really, really disliked.)
I read somewhere once that this movie is as close as Hollywood gets to pure cinema, in that it is basically completely divorced from reality of any kind. Is that good or bad? I don't know. I do think if you're going to ditch convention and any semblance to reality, you may as well go all the way. It's better than having something that is a confused mess that tries to be different things (Pearl Harbor.) There will be no 'it could really happen!' here.
So after all this, believe it or not I am going to give this movie a big fat whopping 8. Why? Because IMO it unabashedly succeeds at what it tries to set out to be, whatever that is. That makes no sense, since I am basically saying by all logical accounts this movie may actually suck, yet I am giving it a 8. But hey I loved this movie.
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