Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
It is just another day at the National Aeronautics and Space Administration (NASA), a few astronauts were repairing a satellite until, out of nowhere, a series of asteroids came crashing into the shuttle, destroying it. These asteroids also decimated New York soon thereafter. Then, NASA discovered that there is an asteroid roughly the size of Texas heading towards the Earth, and when it does hit the Earth, the planet itself and all of its inhabitants will be obliterated, worse, the asteroid will hit the Earth in 18 days. Unfortunately, NASA's plans to destroy the asteroid are irrelevant. That is when the U.S. military decides to use a nuclear warhead to blow the asteroid to pieces. Then, scientists decide to blow the asteroid with the warhead inside the asteroid itself. The only man to do it, is an oil driller named Harry Stamper and his group of misfit drillers and geologists. As he and his drill team prepare for space excavation, the asteroid is still heading towards the Earth. When...Written by
The famous rock in the logo of Touchstone Pictures (one of the production companies) has the same shape as the asteroid that hits the Earth in the first scene, causing global destruction sixty-five million years ago. See more »
The Russian space station is an absurdity in itself: initiating a rotation to accommodate artificial gravity would in reality threaten the structural integrity of such a pronged modular craft, and spinning the station before docking would be unpractical, as it renders a normally tricky docking to be nearly impossible since the docking ports are on the external rotating pods. Furthermore, a rotating station would need its docking area along the axis of rotation, plus the docking vessel would have to match that rotation, and match its center of gravity along the docking point approaching along the station's axis of rotation. See more »
[Camera shoots past the moon to slowly zoom in on the Earth]
This is the Earth, at a time when the dinosaurs roamed a lush and fertile planet.
[From behind the camera, a giant asteroid appears, speeding towards the Earth ahead of it]
A piece of rock just 6 miles wide changed all that.
[Blazing through the atmosphere, the asteroid impacts with a spectacular display of fire and destruction]
It hit with the force of 10,000 nuclear weapons. A trillion tons of dirt and rock hurtled into ...
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Portions of the video of Grace Stamper and A.J. Frost's wedding are shown during the final credits. See more »
American Television Version deletes a 5-second scene of the World Trade Center, damaged and in flames, after the opening asteroid shower. In addition, a second scene of the World Trade Center Tower 2 being hit by a fragment is cut short. See more »
You know, looking at what people here have to say about this movie, I think there are two problems. One, some people have no tolerance for pure entertainment. Not every movie has to explore the depths of humanity, and teach us new things about ourselves. Some of the greatest movies aver hardly do that. On the other hand, there are variances in entertainment. Those who proclaim Armageddon to be the greatest action movie ever are generally those who, last summer, said the same about Con Air, and the year before, said the same about Independence Day.
Now, Armageddon is slightly better than the absolute mediocrity and "one-time-in-the-theater-but-only-with-a-big-screen-and- digital-sound" kind of summer hit that we usually see, but by two virtues only.
The first is its blunt honesty. It promises no plot, no characters, little reason to care, etc. It does promise all the visceral pleasures you can get your fill of, if you're up to it. And on that level, it aims, and hits the target with style. I wouldn't see it more than a couple times, I wouldn't buy it except to test my DVD surround setup, but I do find much of it to be decent escapist fun. And then some of it is also extremely boring.
On full-screen VHS with TV sound and the lights on, and the expectation of anymore than a purely technical film experience, it's not worth the time.
And one more thing: I, for one, appreciate the extreme care that went into Armageddon. The technical skill required to make it happen were far more impressive than most movies of this type. If the pace made it hard to follow, try paying more attention, because had it not been made as it was, it would have been even more boring. I wish, though, that it lived up to the superiority of The Rock.
Oh, and by honest, I'm largely comparing to the shallowness of Deep Impact. This one delivered everything it said it was going to, and didn't try to trick us into thinking it was any more.
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