A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior, strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. Written by
Julian Reischl <firstname.lastname@example.org>
Although there are humans in the film, we never see any faces. This may have been because DreamWorks didn't want to incur the same criticisms that Pixar received when Toy Story (1995) came out. The humans in the film looked grotesque, and not at all plausible, because they hadn't perfected a computer animated human face yet. See more »
It's probably the first time Woody Allen is so much like himself when he isn't at all. Ant Z, a neurotic, fatalistic, depressive, sorry ant with a record low level of self-esteem transforms into a (part-time) content, revolutionary hero of his utterly totalitarian and fascistic colony ever imaginable. Apart from the incredibly precise animation and "logical" fantasy, one feels a bit distracted with the subliminal messages the picture tries to impose. While it would be easy to reduce the moral to the frequently recited motto: "think for yourself once!", there are too many of them to ignore. This definitely is not a kid's flick, it is meant for and appreciated by adults, with many philosophical, psychological and social references and conflicts. One big "bravo!" to Dreamworks. I think they have achieved the point where adults can actually enjoy animation movies while believing the whole stuff. These insects are surely going to bite some Disney bugs.
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