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American History X (1998)

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A former neo-nazi skinhead tries to prevent his younger brother from going down the same wrong path that he did.

Director:

Tony Kaye

Writer:

David McKenna
Popularity
690 ( 75)
Top Rated Movies #32 | Nominated for 1 Oscar. Another 4 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Edward Norton ... Derek Vinyard
Edward Furlong ... Danny Vinyard
Beverly D'Angelo ... Doris Vinyard
Jennifer Lien ... Davina Vinyard
Ethan Suplee ... Seth Ryan
Fairuza Balk ... Stacey
Avery Brooks ... Dr. Bob Sweeney
Elliott Gould ... Murray
Stacy Keach ... Cameron Alexander
William Russ ... Dennis Vinyard
Guy Torry ... Lamont
Joe Cortese ... Rasmussen
Jason Bose Smith Jason Bose Smith ... Little Henry (as Jason Bose-Smith)
Antonio David Lyons ... Lawrence
Alex Sol ... Mitch McCormick
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Storyline

Derek Vineyard is paroled after serving 3 years in prison for brutally killing two black men who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did. Written by Nitesh D.(nmxpa7@msn.com)

Plot Summary | Plot Synopsis

Taglines:

Deux frères unis par la haine, dechires par la verite. (Two brothers united by hatred, torn by the truth.) (French DVD) See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for graphic brutal violence including rape, pervasive language, strong sexuality and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

20 November 1998 (USA) See more »

Also Known As:

American History X See more »

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Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend USA:

$156,076, 1 November 1998, Limited Release

Gross USA:

$6,719,864

Cumulative Worldwide Gross:

$23,875,127
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

SDDS | Dolby Digital | DTS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Edward Norton was said to have re-edited the film to lengthen his screen time. Director Tony Kaye then attempted to get his own name removed from the credits but violated a Directors' Guild of America rule that states that directors that use pseudonyms (such as "Alan Smithee") must not talk about why they had their name removed - which Tony Kaye had done in ads in Variety. According to Entertainment Weekly, he then wanted his credit to read "Humpty Dumpty". Eventually, Kaye sued the DGA and New Line Cinema for $200 million ($275 according to the book Cinematic Century) stating that the DGA rule violated his first amendment rights. See more »

Goofs

During the riot at the mini-mart, someone throws a cash-register through an office window. In the shot before the throw, the glass is reinforced. When the register goes through the window, it is not.

(added) The glass merely appears to be reinforced. The matrix appearance on the glass is actually from the pegboard on the wall inside the room. It is not reinforced glass. See more »

Quotes

Cameron: You made the fat kid a little nervous. He thinks the joint messed with your mind.
Derek Vinyard: It did.
See more »

Connections

Referenced in Saturday Night Live: Bill Murray/Lucinda Williams (1999) See more »

Soundtracks

Battle Hymn of the Republic
(circa 1856) (uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe (1862)
Sung a cappella by Ethan Suplee with modified lyrics
See more »

Frequently Asked Questions

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User Reviews

 
Intelligent Drama
28 September 2004 | by gingerkrisSee all my reviews

Strong performances by Edward Norton & Edward Furlong really make this film for me. The direction by Tony Kaye with his mixture of black & white history contrasting with colourful reality is magic to absorb and shows this film up to be what it is – a true American Classic, ironically by a British director. The film itself is about two brothers, Derek the elder and Danny the younger adoring sibling. Derek has been in jail for three years after killing a black youth who tried to rob the family; the nature & brutality of the crime still shocks me to this day. AHX tracks Derek's history through the first formation of racist sentiment laid down by the father. These feeling of hate are embedded when later his father is killed in the line of duty. Derek becomes involved in the local Nazi movement, his intellect turned by youthful rage into hate crimes and the rational that comes with Neo Nazi propaganda. The Nazi-tattoo sporting, egotistical, philosophical younger Derek is a steam train waiting to crash, his propulsion to stardom is eventually embodied when he takes the life of the young thief, the scene is very apt as he calmly lies down and knows he will be a hero to his friends. Without wanting to spoil the film Derek encounters change in the prison, he meets a black man whom he works with and faces his own demons inside, I will leave it there for those who want to be moved by his transformation. Anyway, he comes out a new man and only wants to be that new person, which means leaving the old crowd, leaving the Anti-Jewish sepal he's been living with so long. The problem lies with his brother who has become a little Derek, getting drunk and being influenced like he was. Derek's cross to bear is that he can't change his life without his brother coming with him and being on the right side of humanity. I think that this film is less about race and more about our ability to change as individuals, the fact that we can become what and who we want is a gift. Derek becomes the man he always wanted to be, he only wants the same for his brother. Kaye's use of black & white creates an atmospheric drama that builds tension and has you feeling like a stung out piece of drum leather by mid movie. I love the way that Kaye subtly uses quotes and intellectualises the Nazi Stance, only to watch it being broken down by the same man (Derek / Norton). Norton is a joy to watch as is Gould and Furlong. To sum up American History X is a powerful intelligent drama, which provides plenty of discussion after the movie. This film should be on every high school curriculum…


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