5.7/10
360
5 user 5 critic

99.9 (1997)

Lara, the host of a radio call-in show dealing in psychic phenomena, discovers that her estranged lover has been found dead in a small Spanish village. She learns that he was conducting ... See full summary »

Director:

Agustí Villaronga (as Agustín Villaronga)
Reviews
3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
María Barranco ... Lara
Terele Pávez ... Dolores
Ruth Gabriel Ruth Gabriel ... Julia
Ángel de Andrés López ... Lázaro
Gustavo Salmerón ... Victor
Juan Márquez Juan Márquez ... Mauri
Simón Andreu ... Simón
Pedro Mari Sánchez Pedro Mari Sánchez ... Juan
Miguel Picazo Miguel Picazo ... Galiana
Maite Brik Maite Brik ... Madre Mauri
Jordi Canals Jordi Canals ... Mendigo
Paula Soldevila ... Petra
Francisco Maestre Francisco Maestre ... Psiquiatra
Alicia Agut Alicia Agut ... Guardesa
Luisa Gavasa ... Luisa
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Storyline

Lara, the host of a radio call-in show dealing in psychic phenomena, discovers that her estranged lover has been found dead in a small Spanish village. She learns that he was conducting secret experiments searching for tortured souls trapped behind the energy of the living world. This leads her to an old abandoned house where the experiments took place, and where screaming faces seem to form within the stones of the walls... Written by Brian Patrick

Plot Summary | Add Synopsis


Certificate:

Unrated
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Details

Country:

Spain

Language:

Spanish

Release Date:

7 November 1997 (Spain) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At first, '99.9' was planned to be a TV series. But when the project was ruled out, the producers decided to turn the pilot episode into a film that premiered in commercial theaters. See more »

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User Reviews

 
Brilliant photography well supported by the cast
23 February 2002 | by Keith F. HatcherSee all my reviews

I almost did not put this one on, but seeing that Terele Pávez was in it and that the filming was done by `el maestro' Javier Aguirresarobe, I succumbed. As I am not exactly so keen on `creepies' and horror type films, I did not expect much, so got more than I expected. Which, logically, is better than vice-versa.

Firstly it was great to see Terele Pávez again, so many years after the outstanding masterpiece `Los Santos Inocentes' (1984)(qv), as well as her lesser parts in `Requiem por un Campesino Español' (1985), the not so accomplished `Celestina' (1996) and the excellent TV series `Quijote' (1991) and `Cañas y Barro' (1978). However, also pleasing was to see María Barranco in a decent rôle, as previously I had only noted her as one of `Almodóvar's girls' in the early 90s, as well as participating in films which were more unfortunate than anything else – `El Rey Pasmado' and Bigas Lunas' indigestible `Las Edades de Lulú'.

In `99.9' things hold together surprisingly well, despite loose ends flying about which were not `nicely' tied up in a neat package. Deep in the depths of darkest Spain – but in effect some lovely sierras in the province of Jaen, Andalusia – some rather weird goings-on end up with Lara's (María Barranco) ex boy-friend being impaled stark naked on some railings in a cemetery right at the beginning of the film. Lara investigates and thus sets us up for a spooky session. Which may well have not worked if the cinematographer had not been Javier Aguirresarobe. This man is incredible, absolutely a perfectionist of the first order. Whether it be the dark interiors of mansions in `Los Otros' (The Others, qv), beautiful scenery and spider's webs in `Secretos del Corazón' (qv), costume pieces such as in `La Niña de tus Ojos' (qv) and Pilar Miró's `El Perro del Hortelano) or the highly acclaimed `Beltenebros', or the Madrid gangster world of Madrid in `La Fuente Amarilla' (qv), Aguirresarobe shows astonishing ability to even capture the feel and atmosphere of whatever he is shooting.

Apart from that, some of the acting is pretty good, even convincing given the hardy nature of people living in some of those tumbled-down abandoned villages lost in the cold sierras. Indeed, I would go so far as to say that if I were to choose seeing this film or `The Others' again, I might just choose `99.9'. It simply has an uncanniness that the other better known film lacks.


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