Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
Micky is a tough, loudmouth but lovable 12 year old who lives with his younger brother and sister at his grandmother's house. One day, a meteorite lands in his backyard and the kids believe... See full summary »
Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on ... See full summary »
Journalism Major Paxton Andrews loses the man she loves in the Vietnam War. Always having followed the beat of a different drum, she decides to work out her grief by going to Vietnam and ... See full summary »
Valentino is an Ex Adult film star very much in love with his girlfriend Mary Carmen....and boyfriend Gary. Things take a tragic turn when Valentino is rushed to the hospital after ... See full summary »
An anthology film retelling the story of the famous Studio 54, a hot disco hangout for the social elite of New York. The movie follows several characters at once, some of whom are in desperate straits and on the verge of crashing.Written by
In 2008, about a decade after its original theatrical debut, Writer and Director Mark Christopher assembled a bootleg Director's Cut of the film, with forty-five minutes of never before seen footage, and unofficially screened it at New York's Outfest around July-August 2008. This version reinstated the blatant promiscuity and bisexuality of Ryan Phillippe's character, as well as the film's core love triangle between Phillippe, Salma Hayek, and Breckin Meyer which the Miramax studio forced him to cut from the original release. See more »
The song, "Let's Start the Dance" by Bohannon, played in a 1979 scene, was released in 1978. See more »
Not with that shirt.
[Shane turns to leave, Steve grabs his arm]
I said, not with that shirt.
[Shane pauses, then takes his shirt off, showing his six-pack]
Welcome to my party, handsome.
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This is, by no means, going on my 1998 Top Ten list, but I'm willing to cut it some slack. I thought it told the story quite well, and captured the rise and fall of Studio 54 wonderfully. The performances were all good, but it's Mike Myers that impressed the hell out of me. In this film he proved himself to be an actor, and a damn good one. Although I anxiously await the new Austin Powers flick, I hope that Myers keeps taking roles that force him to stretch his limits.
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