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Trailer
1:30 | Trailer

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ON DISC
The famous 1970s New York City nightclub seen and told through the eyes of a young employee.

Director:

Mark Christopher
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Popularity
4,754 ( 187)
9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Phillippe ... Shane O'Shea
Salma Hayek ... Anita Randazzo
Neve Campbell ... Julie Black
Mike Myers ... Steve Rubell
Sela Ward ... Billie Auster
Breckin Meyer ... Greg Randazzo
Sherry Stringfield ... Viv
Ellen Albertini Dow ... Disco Dottie
Cameron Mathison ... Atlanta
Noam Jenkins ... Romeo
Jay Goede ... Buck
Patrick Taylor Patrick Taylor ... Tarzan
Heather Matarazzo ... Grace O'Shea
Skipp Sudduth ... Harlan O'Shea
Aemilia Robinson Aemilia Robinson ... Kelly O'Shea
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Storyline

An anthology film retelling the story of the famous Studio 54, a hot disco hangout for the social elite of New York. The movie follows several characters at once, some of whom are in desperate straits and on the verge of crashing. Written by Laurence Mixson

Plot Summary | Add Synopsis

Taglines:

Welcome to the Party See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexuality, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

28 August 1998 (USA) See more »

Also Known As:

Studio 54 See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$6,611,532, 30 August 1998, Wide Release

Gross USA:

$16,574,731, 27 September 1998
See more on IMDbPro »

Company Credits

Production Co:

Dollface,FilmColony,Miramax See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut) | (director's cut) | (workprint)

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film's promotional "54" film title logo was set in the same font and design typeface as the actual Studio 54 logo. See more »

Goofs

When the IRS shows up to raid 54, the wide shot shows two unmarked police cars with red lights flashing on the dash. Then a tight shot shows an agent climbing out of a car and the light on the dash is blue. See more »

Quotes

Steve Rubell: Is he gorgeous?
Viv: He's gorgeous. Look for yourself.
Shane O'Shea: [voiceover] I was warned that Steven didn't hire any dummies and I should be on my toes because he could ask some really tricky questions.
Steve Rubell: What's two plus two?
Shane O'Shea: Huh?
Steve Rubell: You'll be fine.
See more »

Crazy Credits

As the credits roll, photographs are shown, first of visiting celebrities (e.g., Brooke Shields, George Burns, Arnold Schwarzenegger), then candid shots of unidentified customers. See more »

Alternate Versions

In 2008, director assembled a bootleg director's cut of the film with 45 minutes of never before seen footage and unofficially screened it at Outfest. This version reinstated the blatant promiscuity and bisexuality of 's character, as well as the film's core love triangle between Phillippe, and which the studio forced him to cut from the original release. See more »

Connections

Referenced in Austin Powers in Goldmember (2002) See more »

Soundtracks

Love Machine (Part I)
Performed by The Miracles
Written by Warren Moore and William Griffin
Courtesy of Motown Record Company, L.P.
By Arrangement with PolyGram Film & TV Music
See more »

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User Reviews

 
Brilliant, tragic, and most of all, fabulous.
17 May 2001 | by budmasseySee all my reviews

Studio 54 was the center of a universe that revolved around sex, drugs, and a pantheon of ephemeral pop culture gods who presided over a world of decadence and music. Long before the neanderthal "disco sucks" mob convinced the world to stop dancing, every possible indulgence was explored, and then surpassed, in clubs like this one across the country. Well, if there had been clubs like this, but there was only one 54.

The story mirrors the lunatic time warp within great dance clubs. There was a cast of characters, you kind of knew them, and you knew some of the details of their lives outside the club, but make no mistake, the real world took place under the seductive lights, and everything else was just backstage preparation.

You might say that the myriad subplots that ran through 54 were not adequately explored by the movie, but that would be naive. Nobody at the club really knew Warhol, Jagger, Grace Kelly, Capote, or any of the luminaries, famous or not, who inhabited the club like ghosts. We drank from their lives from dusk till dawn and hibernated in the so-called real world until the stars came out at night.

Mike Meyers is beyond fabulous as the complex and tragic Steve Rubell. If Ryan Phillippe is no Oscar winner, you might recall that the real busboys weren't usually National Merit Scholars either. They were beautiful, and that was all that mattered.

The giddy yet tragic abandon of the Disco Days has never been captured so perfectly. Everyone knew it couldn't last, but we all stuck it out to see who could make it till last call. An era as beautiful and optimistic as the hippies and flower children of the 1960's drowned under the weight of the resentment of those who couldn't make it past the velvet rope.

This movie is the absolute best of its genre, and unflinchingly reveals the darkness that lay under the glittering veneer of 54. If you weren't there, you won't understand. If you were, there is no better way to remember. Brilliant, tragic, and most of all, fabulous.


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