Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a ...
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Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.Written by
The old dance films of Fred Astaire and Ginger Rogers, and Gene Kelly, may have been a technical marvel, but they also understood that dancing was a form of communication, of things left unsaid. This film fits right in with that tradition, though of course it's using more modern dances, but I think Astaire would look at the chemistry between Chayanne and Williams when they're dancing, and approve. You can tell director Randa Haines is a fan of the dancing the way she lovingly photographs it, and gives all the dancers a chance to shine, especially during the long dance scene at the club. She's also the first director who really gives Williams a chance to cut loose and show her talent. I don't know much about Chayanne, but he's good too.
So the plot isn't much. Who watches musicals just for the plot? And actually, I liked how they handled certain aspects, like the dance competition and how Chayanne and Williams resolve their feelings for one another without even dancing together. The only real criticism I have is the movie is a little too long, but that's only a quibble.
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