This film documents Neil Young and Crazy Horse's 1996 concert tour. Jim Jarmusch interviews the band about their long history, and we see backstage footage from the 1970s and 1980s.
This series of vignettes offers ruminations on time, fate and other human mysteries, Each of the film's seven directors conjures a scenario that speaks to some facet of universal experience.
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
This film documents Neil Young and Crazy Horse's 1996 concert tour. Jim Jarmusch interviews the band about their long history, and we see backstage footage from the 1970s and 1980s.
Unless you're a Neil Young die-hard, you're likely to find Year of the Horse unbearable. What's especially shocking is that it comes from a talented director like Jarmusch, who is known for intelligent, thought-provoking pictures. Evidently, his feature film making ability doesn't translate into the documentary realm. Year of the Horse is one of 1997's ugliest dogs. It's supposed to be a high- energy concert film that captures the intensity and camaraderie of the band members on and off- stage. What it turns out to be, however, is an overlong home movie with bad video and barely- adequate sound.
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Unless you're a Neil Young die-hard, you're likely to find Year of the Horse unbearable. What's especially shocking is that it comes from a talented director like Jarmusch, who is known for intelligent, thought-provoking pictures. Evidently, his feature film making ability doesn't translate into the documentary realm. Year of the Horse is one of 1997's ugliest dogs. It's supposed to be a high- energy concert film that captures the intensity and camaraderie of the band members on and off- stage. What it turns out to be, however, is an overlong home movie with bad video and barely- adequate sound.