| Cast overview, first billed only: | |||
| Greg Mottola | ... | Director | |
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Jeff Mazzola | ... | Assistant Director |
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Dick Mingalone | ... | Camera Operator |
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Vladimir Bibic | ... | Director of Photography |
| Melanie Griffith | ... | Nicole Oliver | |
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Francisco Quijada | ... | Erno Delucca |
| Aleksa Palladino | ... | Production Assistant | |
| Dan Moran | ... | Jackhammer Operator | |
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Peter Castellotti | ... | Sound Recordist (as Pete Castellotti) |
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A. Lee Morris | ... | Second Assistant Cameraperson |
| Douglas McGrath | ... | Bill Gaines | |
| Kenneth Branagh | ... | Lee Simon | |
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Maurice Sonnenberg | ... | Dalton Freed |
| Winona Ryder | ... | Nola | |
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Craig Ulmschneider | ... | Daniel - Production Assistant |
New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy ... Written by Huggo
It is a witty, funny black film in which Kenneth B. plays the best "woody allen" of all times. The direction of photography is traditional compared with his last films.
An excellent satire of celebrities with more believable less neurotic characters than I expect from a woody allen movie. The subtle critics to catholics (instead of jews) are good for a change.
I would recommend this modern classic not only to woody's fans but to anyone who likes independent films.
Besides, the rabbis and skinheads being accidentally put together in a waiting room (and getting along) is something you won't see in anywhere else.