A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy ...Written by
When Lee crashes into the shop window when driving his Aston Martin with the supermodel played by Charlize Theron on the passenger seat, it is obvious that only the driver doing the stunt is present in the car and that nobody is sitting next to him. See more »
With Bullets Over Broadway, Mighty Aphrodite and Everyone Says I love You, Woodie had strung together a number of very likable and quite funny films. With this and Deconstructing Harry he gets more serious. Too bad. This bilious mess could have used an editor. I think, because he can get so many big stars so easily, he writes too many characters into this film, without the spread-thin script being able to support all of them.
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