Story of the ways in which insurance investigator Roland Copping interferes in and manipulates the lives of others with outrageous games and gimmicks. Eventually he becomes involved in an ... See full summary »
Set in Sydney, a vibrant, colorful backdrop for a thriving, yet largely unexplored GLBTIQ community. Our entry in to the world is innocent 19 year-old country boy Jake who comes to the city... See full summary »
Biopic of Susan Cabot, a B-movie star known for her roles in Roger Corman movies and dating a king. Her career suffered due to her short stature and her frustration with her son's medical condition - dwarfism - led to tragedy.
A top London investment banker's life is turned upside down when he inherits a ranch in Colorado. After a huge business deal in the city goes chaotically wrong , he decides to move his ... See full summary »
The movie's closing credits dedication reads: "To Richard and Oscar... ...and Danny". See more »
Fuck me dead, what's that when it's at home?
Yeah? I know what me Daddy-O would say, I can just hear him, All we get in Woop Woop is that Rogersan
Rogersan, y'know Rogersan Hammerstein?
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At the beginning of the movie, the opening credits state "no animals were harmed in the making of this movie..." several seconds later they add "Neither were any people." See more »
Version shown at Cannes was 106 minutes; distributor Goldwyn recut it to the 97-minute released length. See more »
Brilliant use of Bad Taste and dysphemism for the sex act
This is a film classic, in the mode of 'There's something about Mary'. Rod Taylor gives the performance of a lifetime. The ethereal counterpoint provided by the Rogers and Hammerstein scores is strange and wonderful at the same time. It's a comedy, a very dark comedy. It's a love story ... F#*($K me blue, F*@#(K me raw, to the strains of The Sound of Music. It's great entertainment. It's Deliverance meets Rogers and Hammerstein. It's Sex and Drugs, and Broadway show tunes in the Australian outback. A combination your not likely to have sampled before, but one you will wish there was a sequel for. If TV sitcoms are your thing, you just won't get this film. It's bizarre, shocking (if you shock easily), wildly funny, and atmospheric. Is there something about this film that is uniquely Australian? Probably not, this had to have been a bizarre and disturbing dream, or a psychotic episode scripted. It's great entertainment, and certainly an escape from reality. It's a 10
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