Welcome to Sarajevo (1997)

Journalist Flynn from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by ... See full summary »

Director:

Michael Winterbottom

Writers:

Michael Nicholson (book), Frank Cottrell Boyce

Stars:

Stephen Dillane, Woody Harrelson, Marisa Tomei

1 win & 2 nominations.

Cast

Cast overview, first billed only:
Stephen Dillane	...	Michael Henderson
Woody Harrelson	...	Flynn
Marisa Tomei	...	Nina
Emira Nusevic	...	Emira
Kerry Fox	...	Jane Carson
Goran Visnjic	...	Risto Bavic
James Nesbitt	...	Gregg
Emily Lloyd	...	Annie McGee
Igor Dzambazov	...	Jacket
Gordana Gadzic	...	Mrs. Savic
Juliet Aubrey	...	Helen Henderson
Drazen Sivak	...	Zeljko
Vesna Orel	...	Munira
Davor Janjic	...	Dragan
Vladimir Jokanovic	...	Emira's Uncle

Storyline

Journalist Flynn from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by the devoted Mrs. Savic near the frontline. Henderson gets so involved in the kids' problems, that he decides to take one of the children, Emira, illegally back to England. He is assisted by American aid worker Nina.

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Plot Keywords:

journalist | sarajevo | orphanage | england | bosnian war | 

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Taglines:

To get the story, they'll risk everything.

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Genres:

Drama | War

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Motion Picture Rating (MPAA)

Rated R for brutal images/war atrocities and language

Did You Know?

Trivia

Stephen Dillane met with the real-life journalist he plays in the film, Michael Henderson, but chose not to establish too much of a relationship with him as he wanted to create his own particular portrait of the man.

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Goofs

When the bus was stopped over an hour into the movies by Chetniks, where was the U.N. guards to protect them? A scene later the U.N. guards are with them again.

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Quotes

[first lines]
Title Card: In 1991, the country of Yugoslavia began to fracture into separate nations. On the pretext of maintaining Yugoslavia's integrity, the Serbian dominated Yugoslav army attacked first Slovenia, then Croatia.
Title Card: In April 1992, in the hope of securing international protection, Bosnia declared its independence. This was rejected by many Bosnian Serbs. Aided by the remnants of the Yugoslav army, they set out to claim as much territory as they could.
Title Card: They systematically cleansed towns and ...
[...]

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Connections

Featured in The Greatest Ever War Films (2014)

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Soundtracks

Adagio in G Minor for Strings & Organ
Written and performed by Remo Jaizotto
Based on two thematic fragments and a figured base by Tomaso Albinoni

User Reviews

Ambivalent

This is one very strange movie for me. On the one hand, it is undeniably bad. The movie tries to tell two types of stories, first it wants bo be a movie about war journalists, like Olliver Stone's Salvador. Then, it becomes a rescue movie when the main journalist tries to evacuate a nine year old girl from the war zone.

One problem is that these two stories don't hang well together at all. The journalist is totally uncharismatic. Then, there are cameos (don't let the cover fool you) of Woody Harrelson and Marisa Tomei. Very charming actors, but they don't get enough screen time.

What I think happened is that the director became overraught by the fact that they were _actually_ filming in Sarajevo itself, wanted to put too many things in, and in the end forgot what his job was - namely, to tell a story.

What I would have done, was focus much more on the little girl, her perspective of the war, which is much more interesting than watching some jaded journalists being jaded. Also, in the end, the war in Bosnia was about the people of Bosnia, not some parachuted in gonzos. It is in fact demeaning in itself that the people who suffered the most, are delegated to playing extras in some kind of movie that can't make up it's mind what story it wants to tell. At the same time, after focusing on the girl, I would have focused more on the Woody Harrelson character. He has a lot more going for him than the scrawny, balding lead, who's character, by the way, also isn't developed (why does he have a family back home?;What does his wife think of him flying off to the latest war zone?;Why does she accept that he does this dangerous job and in the process shacks up with Kerry Fox and Emily Lloyd?; Questions, questions...). The movie falls into the trap of, instead of telling a coherent, progressive story, wanting to mention every atrocity visited on the city of Sarajevo.

However, what it has going for it, are those rare moments. At times, the movie is effective in illustrating _how_ those people came to be dead, especially with the middle aged woman who was shot dead during the wedding party/procession. The images of the concentration camps are of course harrowing, and the scenes of the market place that was mortared are gruesome. There is an effective blending of news footage and movie, to the point where at _some_ point (not immediately) you don't know what is real and what is fiction. Ok. However, this does not make for a movie. Movies have to have characters you can root for - they don't _have_ to be Western journalists. I would have rooted for the little girl. Or her mom. Or the translator. You don't have to have American actors for it to play well in America (think of Crouching Tiger, Hidden Dragon). What has to be there is a good story, told well. And it unfortunately doesn't have the latter.

Details

Country:

UK USA

Language:

English Serbian Bosnian

Release Date:

26 November 1997 (USA)

Also Known As:

Welcome to Sarajevo

Filming Locations:

Sarajevo, Bosnia-Herzegovina

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$66,920, 30 November 1997

Gross USA:

$334,319

Cumulative Worldwide Gross:

$334,319

Company Credits

Production Co:

Miramax, Channel Four Films, Dragon Pictures

Technical Specs

Runtime:

103 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1