Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ...
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When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
Sadie is desperately looking up to her older sister Georgia who is a famous C&W artist. Sadie wants to be a famous artist like her sister, but is always doing everything wrong. Her ... See full summary »
Jennifer Jason Leigh,
The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood. During his investigation, the priest, who is experiencing a crisis of faith, re-discovers his own purpose in life.
Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter for her money. But Catherine is determined to follow her heart, even if she loses her inheritance in the process. But just what are Townsend's intentions?Written by
Mike Myers <firstname.lastname@example.org>
Of all the characters she's played, Jennifer Jason Leigh found Catherine Sloper to be closest to her own personality. When she heard that a remake was in the works, she met with Agnieszka Holland and pleaded with her for the part. See more »
It takes a lot of nerve to take on a De Havilland's part ,and Jennifer Jason Leigh has succeeded though:she has never taken the easy road ,as "last exit to Brooklyn"(1989)testifies.She is one of these rare contemporary actors (like Sean Penn,Daniel Day-Lewis,Emma Thompson)who shuns narcissistic parts,who does not think twice about making herself look ugly(like De Havilland).Her portrayal of a gauche,clumsy but endearing heiress(!)despised by her father is brilliant.
Matching her every step of the way are Finney's and Smith's sensational renderings of the rich fat bourgeois and the ambiguous spinster. Albert Finney plays a selfish cruel man ,whose wife died when his daughter was born,and he never forgave the girl this death.So he 's always putting her down,humiliating her fiercely.Maggie Smith -who has already played old maid parts:see "the prime of miss Jean Brodie"(1969),"the honey pot" (1967)"A room with a view"(1986)-is equally successful as the heroine's aunt:we never know whether she helps or thwarts her niece's plans.She probably tries to recreate what she misses during her whole life,but isn't she trying to make her niece what she is as well?Whatever you think of remakes,when you deal with such a efficient threesome,you forget all your bias.
Henry James talks about woman's condition during the last century.Money is the center of the heroine's drama;she will never be sure to be loved for herself,that's why her love is doomed from the very beginning.At the time,marriage was the woman's only future,ugly women became either spinsters or nuns.Catherine's dilemma is that,unlike the other socialites for whom marriage is the way to become part of the posh elite,love is second to none for her.Ben Chaplin is rather acceptable,but his character remains one-dimensional.It was probably hard to equal Montgomery Clift.
In a nutshell,a movie who shuns fad;hence a very commendable work.Agnieska Holland -who had already directed a remarkable "Europa Europa"- is a director who promises great things.
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