Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ...
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A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He's preoccupied with a career and a mistress, she with a career and caring for ... See full summary »
In a small village on the border of Northern Ireland and The Republic of Ireland, the relationship between a short tempered policeman and his rebellious son becomes even more strenuous when the young man falls for a "wrong" girl.
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
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A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of wedlock, and refusing to name the father. She has a rare beauty and ... See full summary »
When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter for her money. But Catherine is determined to follow her heart, even if she loses her inheritance in the process. But just what are Townsend's intentions?Written by
Mike Myers <email@example.com>
I rented WS in order to compare Jennifer Jason Leigh's performance in this with her performance in Kansas City. Both are period pieces, and in both i sensed her willingness to submerge a modern self into the demands of the historic period. This is frightening to behold--Albert Finney is rock-hard, with glimpses of natural paternal sentiment that only make his determined hardness the more monstrous. So, his daughter is his victim--a victim of culture, a victim of circumstance--a victim of miscommunications, a victim of her lover, of her aunt? It's all a little hard to bear, except that, as the motif of endurance emerges, the formation of a protective shell over the passions of the young is, finally, a relief. I don't know if there is enough popcorn and chocolate/caramel/you-name-it to make sitting through this story actually enjoyable. Beautifully dressed and accompanied by exquisite score, it's a tragedy with a conclusion of unillumined defeat. Although Katherine, Leigh's role, keeps for herself, privately, the apparent pleasure of the memory of passion. Is this James's modern leaning? Anyway, I rated it high, because as a window into history it's at least fascinating.
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