"Fly Away from Here" is a power ballad by Aerosmith. It was the second single on their album, Just Push Play. The video for the song, directed by Joseph Kahn, was very futuristic and ... See full summary »
Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
Ulee is called one day by his incarcerated son, Jimmy, asking for a favor. Jimmy will repay his debts if they save his wife, Helen, from hoodlums. Ulee must now risk his and his family's lives to save Helen.Written by
Robert Krzanowski <firstname.lastname@example.org>
When Eddie attacks Ulee with the knife he uses an underarm motion, which would place the wound in his lower back. Then when the view changes to inside the truck the wound is shown on the upper part of the back, near the shoulder blade, which would be in the wrong part of his back. See more »
Surely one of the best human dramas of the last few years, Peter Fonda is great as Ulee Jackson, a deeply wounded but incredibly strong man who by sheer strength of will reaches out to drag back together a shattered family. His performance is a masterpiece of understatement; we can almost physically sense the roiling depths of anger and resentment that lie below his cold, almost imperturbable exterior. The crime subplot never takes precedence over the gripping family drama that is the movie's core. It is wonderful to see the various characters gradually becoming re-integrated into a functioning family; i.e. the daughter's appearing late at night in the work area to help Ulee, whose restrictions up to then she has mightily resented, with his backbreaking work.
Few have commented on the double entendre of the movie's title. Ulee's "Gold" is, on its surface, the honey he works to produce. It is clear, at the film's conclusion, that the "Gold" is, in actuality, the family he has brought together again. (I suppose we could have a triple entendre in that it might also refer to the long-lost money that is at the crime subplot's core).
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