In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience,...
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Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
Christmas 1988. Soulmates, woody and Lol find themselves in exile from each other and the gang. Trying to understand the definition 'growing up', Shaun begins a course at College, that quickly takes the wrong turn.
The year is 1990, the rave scene has just entered England. The sound of the Stone roses lurks toward Shaun and the gang. This means that Woody and Lol are living in a domestic bliss, they are happy again. But this year will see huge changes in everyone. This is the year 1990. This is England.
Lyra Mae Thomas,
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Soon he opens a training facility which is accepted gratefully by them and the gangs start to grow together into friends. Darcy manages to organize a public fight for them to prove what they have learned. A training camp with hiking tours into the mountains of Wales forge the group into a tight-knit club society. With the day of the fight drawing closer, the young boxers get more and more excited.Written by
Julian Reischl <firstname.lastname@example.org>
After the short 'Where's The Money, Ronnie?' and the not-so-short 'Small Time', Lord Shane Meadows of Eldon's first feature film is this snappy black-and-white urban drama. Darcy (Bob Hoskins) is sick of seeing the local youths at each other's throats, so forms a boxing club to bring them together. It is a laudable plan; something to offer control and direction to a disaffected generation.
Meadows' greatest talent is in presenting a truthful working class landscape sympathetically, but without being patronising. Our heroes are disadvantaged, often stricken by a fearsome domestic environment (none more so than Danny Nussbaum's Tim); and yet they are also kind, witty, hungry, and joyful. The scenes in which Darcy brings the boys to Wales, with Ashley Rowe's sumptuous cinematography and Hoskin's lyrical voice-over, are so vibrant it's as if they're filmed in colour. It's quite something to find drama in scenes of great happiness, when the conflict is left at home - but Meadows always seems to find it, and that's what makes his films vital and real.
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