A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.Written by
Anthony Pereyra <email@example.com>
When Jack is preparing to draw Rose, he says to her, "Over on the bed...the couch." The line was scripted "Lie on that couch", but Leonardo DiCaprio made an honest mistake and James Cameron liked it so much he kept it in. See more »
When Jack and Rose are in front of one of the lifeboats and Cal says, "Yes, get on the boat Rose," we can see two red TV tower lights flashing in the distant background over the ship's cabin. See more »
Thirteen meters; you should see it.
[seeing the shipwreck come into view for the first time]
OK; take her up and over the bow rail.
See more »
There are no opening credits after the title has been shown. See more »
The 70mm print shown at the Odeon Cinema Leicester Square (London, UK) is rumored to have included a scene of two mariners looking on at the Titanic launching distress flares. They dismiss them/misunderstand by concluding that they are celebratory fireworks. This is not in several 35mm prints. See more »
I avoided watching this film for the longest time. Long before it was even released I had dismissed it as an over-hyped, over-blown, overly romanticized piece of Hollywood schmaltz, and I wanted nothing to do with it. I never watched it in the theatre. I shook my head in disbelief at the 11 Academy Awards - even though I had never seen it. Then I was asked to be a judge at a high school public speaking contest. One of the girls spoke about this movie. "It was so great," she said. "You really felt like you were on the ship." "Nonsense," I thought. I shared my feelings with my fellow judges. One looked at me and said, "you might be right, but if she liked the movie that much maybe she'll want to learn more about the real Titanic. The movie must have done something right to get her so interested." "Well, maybe," thought I. Then it finally appeared on Pay TV. "OK," I thought, "I'll give it a look see." I didn't want to like it - and I didn't. I loved it! What a great movie.
Where to start? First - the directing. My high school public speaking contestant was right. James Cameron does a superb job of creating an almost "you are there" type of atmosphere. The gaiety of life aboard the most elegant ship in the world. The nonchalance as news of the iceberg first spreads; then the rising sense of panic. You don't just watch it; you really do feel it. Then - the performances. The lead performances from Kate Winslet (as Rose) and Leonardo DiCaprio (as Jack) are excellent - Winslet's being the superior, I thought, but both were good. They had their rich girl/poor boy characters down to a perfect "t" I thought. In my opinion, though, stealing the show was Frances Fisher as Rose's mother. She was perfect as the snobby aristocrat, and you could feel the fear and loathing she felt every time she looked at Jack. Then - the details. I'm no expert on the sinking of the Titanic, but I have a reasonable general knowledge, and this film does a super job of recreating the historical details accurately and then weaving them seamlessly around the fictional romance. Very impressive, indeed. Then - the song. Who can watch this movie and not be taken with Celine Dion's performance of "My Heart Goes On."
Problems. Well, the romance was perhaps too contrived, in the sense that I just don't accept that Jack could have moved so effortlessly from steerage to first class. (I know he was invited the first time; but he seems to keep getting into first class without being stopped until he's been there for a while.) The realities of the separation of the social classes were much more realistically portrayed, I thought, when the steerage passengers were going to be left locked down there after the ship hit the iceberg while the first class folks got to enjoy half empty lifeboats.
A minor quibble, though. This is truly an excellent movie. My only regret is not seeing it in the theatre, where I think it would have been so much more impressive.
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