6.7/10
172
6 user 1 critic

Tiré à part (1996)

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Terence Stamp ... Edward Lamb
Daniel Mesguich ... Nicolas Fabry
Maria de Medeiros ... Nancy Pickford
Jean-Claude Dreyfus ... Georges Récamier
Frank Finlay ... John Rathbone
Hannah Gordon ... Doris
Amira Casar ... Farida
Gérard Bôle du Chaumont Gérard Bôle du Chaumont ... Auteur Grunge
Charles-Antoine Decroix Charles-Antoine Decroix ... Docteur Bloch
Arno Feffer Arno Feffer ... Avocat Nancy
Emmanuel Fouquet Emmanuel Fouquet ... Journaliste Radio
Huguette Maillard Huguette Maillard ... Yasmina
Sophie Mounicot Sophie Mounicot ... Fabienne
Brigitte-Hélène Morel Brigitte-Hélène Morel ... Pilar
Eric Prat Eric Prat ... Maitre Leriche
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Storyline

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Genres:

Thriller | Drama

Certificate:

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Details

Country:

France

Language:

French | English

Release Date:

22 January 1997 (France) See more »

Also Known As:

Limited Edition See more »

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Box Office

Budget:

FRF 23,500,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Soundtracks

Casta diva
from "Norma"
Music by Vincenzo Bellini
Performed by Eva Urbanová
Conducted by Jirí Belohlávek
Courtesy of Supraphon
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User Reviews

 
Absorbing but clinical
27 April 2004 | by LupercaliSee all my reviews

Terrence Stamp - one of those very good actors who frequently and inexplicably appears in rotten movies - is terrific in this rather odd film about rape, suicide, love, revenge and literary forgery. I'm not going to go into great detail about the storyline, because in my view the person who wrote the current front-page review did as good a job as I could do. Suffice to say that for a thriller about aforementioned topics, this is a curiously dispassionate film - mostly because of Stamp's often almost emotionless performance as the vengeful ex-lover. Clearly there is a smouldering fury below the surface, but Stamp keeps it so screwed down that he seems more like a secret agent dispassionately doing his job. An odd effect, but not off-putting.

There is nothing remarkable about the other performances or the production. For a European film it plays more like an episode of Inspector Morse, minus any excess of emotion, except the increasingly desperate histrionics of Stamp's 'victim', which play off well against Stamp's stoic performance.

6.5 out of 10. Certainly worth a look, though don't expect it to change your life.


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