When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Three diverse characters, for the most part intellectually challenged, find a deserted plane with a bag full of millions of dollars inside. They devise a simple plan to keep the money if no-one claims it. Ofcourse, nothing turns out simple...Written by
The bar scenes were shot in Delano Minnesota. The bar used in the scenes was an old bar that was changed into a private residence in combination with the apartment above. The only real bar in town did not meet filming needs so the crew used the private residence and fixed up the interior to meet the look they were going for. See more »
Directly after a shot of the full moon, when Hank is lying in bed, the scrape on his forehead moves from above the right eye to above the left eye. See more »
When I was still just a kid, I remember my father telling me what he thought that it took for a man to be happy. Simple things, really. A wife he loves, a decent job, friends and neighbors who like and respect him. And for a while there, without hardly even realizing it, I had all that. I was a happy man.
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Say what you will about him, like him or hate him, you gotta admit that Raimi knows the craft. Here, he puts Hitchcock's methods to good use, decades after the master died, and creates amounts of suspense that honor his memory. The tension is thick and impossible to ignore. This is exciting and engaging, and it's completely realistic, down to earth and human, to boot. The pace is spot-on, this never outruns the viewer, in spite of being fast and tight, and so much of the relationships and past being told to us through hints, the behaviour and how situations evolve. More thrillers should be like this. This also qualifies as noir and drama. The acting is beyond reproach, there's not a single performance that is lacking, and I'd say Paxton does pretty good in a lead role. Kudos to Thornton for not turning his part into a caricature. The writing is excellent. I have not read the novel, but I would like to do so. I understand that this isn't entirely as brutal as the book, though it is disturbing, and, at times, violent. The cinematography and editing are incredible. There is some strong language in this. The story is magnificent, and develops so well throughout. Thank you, Sam, for making an effort, for not just going for the lowest common denominator, and for understanding that it was the build-up - not purely the plot twist at the end - that made Alfred, and his films, such treasure. The DVD holds a theatrical trailer. I recommend this to any fan of the director and/or anyone else who helped create it. 8/10
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