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Taste of Cherry (1997)

Ta'm e guilass (original title)
Not Rated | | Drama | 26 November 1997 (France)
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An Iranian man drives his truck in search of someone who will quietly bury him under a cherry tree after he commits suicide.

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3 wins & 4 nominations. See more awards »

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Cast

Credited cast:
... Mr. Badii
Abdolrahman Bagheri ... Mr. Bagheri
Afshin Khorshid Bakhtiari ... Soldier
Safar Ali Moradi ... The soldier
Mir Hossein Noori ... The seminarian
Rest of cast listed alphabetically:
Ahmad Ansari
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Storyline

Middle-aged Mr.Badii is planning to commit suicide and desperately seeks anyone to assist him - he has already dug out the grave in the mountains, but the assistant will have to bury him when he will do the deed. He asks Kurd soldier, Afghan seminarian, but everyone refuses by some reason. Finally he finds an old Turkish taxidermist, who has a sick son and previously attempted suicide himself, and he agrees to assist Badii. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

26 November 1997 (France)  »

Also Known As:

Taste of Cherry  »

Filming Locations:


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Box Office

Opening Weekend USA:

$9,688, 22 March 1998, Limited Release

Gross USA:

$311,873, 22 November 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Won Palme d'Or of Cannes film festival 1997 which is Iran's first tied with another title from Japan Unagi. See more »

Goofs

In the opening scene, as Mr. Badhi is driving past laborers looking for work, the same middle-aged white haired man, wearing a checkered sweater vest, is seen twice. See more »

Quotes

Mr. Badii: I don't want to give you a gun to kill me. I'm giving you a spade, a spade.
See more »

Connections

Referenced in Man yan (2004) See more »

Soundtracks

Khuda Bowad Yaret (May God be your protector)
(uncredited)
Performed by Ahmad Zaher
See more »

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User Reviews

 
This work of the Iranian Second Wave is enjoyable enough, but not as great as a Palme d'Or might lead you to expect
23 February 2015 | by See all my reviews

In Abbas Kiarostami's 1997 film Ta'm-e gilas (Taste of Cherry) one Mr. Badi, a man about whom viewers learn virtually nothing, drives around Tehran looking for someone to do him a favour: that night, he will kill himself in a quarry outside the city, and he wants someone to cast dirt over his body the next morning.

The first half of the film is essentially about Mr. Badi's difficulties finding someone to carry out this small task, in spite of the substantial amount of money he's offering. He is initially mistaken as a homosexual cruising for sex, a misunderstanding that Kiarostami even ribaldly encourages Through suggestive dialogue. A seminary student refuses to help him because suicide is a sin. I must say that I was very disappointed by these 40 minutes plus. Shooting so much of the film inside the car as Mr. Badi drives around is a waste of the possibilities of cinema. Furthermore, there is no real rapport between Mr. Badi and the various actors, as it was originally Kiarostami sitting in the passenger seat, and the dialogue of the men Mr. Badi picks up was only dubbed in later. The film does largely rely on amateur actors, as is common in Iranian productions from this era. Mr. Badi is played by the architect Homayoun Ershadi, and though Ershadi eventually established a film career, this was his first role.

The film does become stronger in the second half, when Kiarostami starts to move from the dusty and barren quarry to more lively scenery of inhabited Tehran, a clear metaphor for the joy and colour of life that Mr. Badi would be giving up if he went through with his plans. The film starts to be thought-provoking instead of merely awkward, and as a glance at discussion forums will show, the film does offer enough to keep cinephiles talking about it. Unfortunately, the ending that Kiarostami chose for the film (which I won't spoil here) feels to me like a cop-out, not to mention something that is already an old auteur trope by now.

If you like the Iranian Second Wave, then you'll probably find it worthwhile to see Ta'm-e gilas at least once. However, in spite of its winning of the Palme d'Or, I do not feel this is an especially great film.


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