A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
Director:
Atom Egoyan
Stars:
Elias Koteas,
Arsinée Khanjian,
Maury Chaykin
Van's father, Stan, is fond of video, always taping scenes of daily family life. But he does not take care of Van's grandmother, Armen. Although he could afford having her at home, she is ... See full summary »
Director:
Atom Egoyan
Stars:
David Hemblen,
Aidan Tierney,
Gabrielle Rose
A struggling actor's job as a hotel custodian is a front for his real job: being rented out as a gigolo by his supervisor. A co-worker is obsessed with him, but he ignores and avoids her. ... See full summary »
Director:
Atom Egoyan
Stars:
Michael McManus,
Arsinée Khanjian,
Gabrielle Rose
A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
Director:
Atom Egoyan
Stars:
Arsinée Khanjian,
Ashot Adamyan,
Atom Egoyan
For his French-class assignment, a high school student weaves his family history in a news story involving terrorism, and goes on to invite an Internet audience in on the resulting controversy.
In suburban New Canaan, Connecticut, 1973, middle class families experimenting with casual sex and substance abuse find their lives beyond their control.
Following the death of her adoptive parents, a successful young black optometrist establishes contact with her biological mother -- a lonely white factory worker living in poverty in East London.
Director:
Mike Leigh
Stars:
Timothy Spall,
Brenda Blethyn,
Phyllis Logan
Twenty-three year old Peter Foster, who still lives at home, used to find it entertaining to hear his parents continually argue in not liking each other very much. He no longer finds the ... See full summary »
Director:
Atom Egoyan
Stars:
Patrick Tierney,
Berj Fazlian,
Sirvart Fazlian
A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing.Written by
Matthew Tichenor <mticheno@direct.ca>
Was inspired by the 1989 school bus crash in Alton, Texas. See more »
Goofs
When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a tea kettle whistling but the one we see on the wood stove is not the whistling type, and there is no steam coming from the kettle. See more »
The Sweet Hereafter is as tragic, sad and matter-of-fact as movies get, but it's still so very beautiful that it becomes a film that's virtually impossible to forget.
The story makes no secret of the fact what terrible tragedy will happen, right from the outset. A lesser filmmaker than Atom Egoyan would've jumped at the chance to shock the audience with the freak accident that robs the town of Sam Dent of nearly all their children, by telling the story in a linear fashion. Not Egoyan. The story is fragmented, thus enhancing the true point: This is not about the overwhelming power of loss, it is about the overwhelming power of survivor's guilt (nicely represented in Browning's poem The Pied Piper Of Hamelin, which is referred to in the movie). It's all about people who grieve not only for the ones they've lost, but also for themselves, how empty their lives have become because of their tragedies. In focussing on that point, the film refrains from manipulative sentiment (which so many others don't), and presents true and unintrusive emotion, that, in the end, despite all the terror, shines a light of hope, for the sweet hereafter is not only the peaceful afterlife, it's also the peaceful future, the continuation of life...
The performances speak for themselves. Ian Holm and Sarah Polley shine in particular, through nicely subdued and subtle acting. Polley also excels as a fantastic singer-songwriter. The songs in the movie were written and performed all by herself.
Egoyan's direction is simply masterful in its beauty, elegance and evocation.
One of the best films of the 1990s.
10 out of 10.
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The Sweet Hereafter is as tragic, sad and matter-of-fact as movies get, but it's still so very beautiful that it becomes a film that's virtually impossible to forget.
The story makes no secret of the fact what terrible tragedy will happen, right from the outset. A lesser filmmaker than Atom Egoyan would've jumped at the chance to shock the audience with the freak accident that robs the town of Sam Dent of nearly all their children, by telling the story in a linear fashion. Not Egoyan. The story is fragmented, thus enhancing the true point: This is not about the overwhelming power of loss, it is about the overwhelming power of survivor's guilt (nicely represented in Browning's poem The Pied Piper Of Hamelin, which is referred to in the movie). It's all about people who grieve not only for the ones they've lost, but also for themselves, how empty their lives have become because of their tragedies. In focussing on that point, the film refrains from manipulative sentiment (which so many others don't), and presents true and unintrusive emotion, that, in the end, despite all the terror, shines a light of hope, for the sweet hereafter is not only the peaceful afterlife, it's also the peaceful future, the continuation of life...
The performances speak for themselves. Ian Holm and Sarah Polley shine in particular, through nicely subdued and subtle acting. Polley also excels as a fantastic singer-songwriter. The songs in the movie were written and performed all by herself.
Egoyan's direction is simply masterful in its beauty, elegance and evocation.
One of the best films of the 1990s.
10 out of 10.