A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing.Written by
Matthew Tichenor <email@example.com>
As indicated on Writer and Director Atom Egoyan's commentary track on the DVD, many people ask about the odd mask worn by the notetaker during the deposition scene. This is a stenographer's mask, an item which is used in real-life for the stenographer to record his or her own voice during the deposition. See more »
In at least one scene, speeds were mentioned in "miles per hour". For a film set in British Columbia, km/h would have been much more likely. See more »
[speaking of his estranged daughter's feeling for him and her mother when she was a child]
She loved us both equally then... Just as she hates us both equally now.
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Not for everyone, but this melancholy film stays with you long after its over...
I re-watched The Sweet Hereafter on video last night, and am still haunted by it today. It is structured so that you know some of the basic tragic plot near the beginning. This caused my eyes to water at some of the beautiful lyrical overhead tracking shots of the school bus winding through the snow covered roads of the Pacific northwest.
The film switches between the time that the lawyer arrives in town to "help" the families receive compensation, and to days just prior to the accident. We witness a loving "hippie" couple who has adopted a beautiful Native American boy, a loving mother of a school phobic learning disabled boy, and a widower who loves his two children a great deal and sees them off to school by following them in his truck. This same widower is having an affair with the mother of the school phobic--she is unhappily married to a "pig" of a husband. Complicating matters is the father who obviously loves his teenage daughter in Lolita-like fashion.
Part of the theme of The Sweet Hereafter is similar to Magnolia--accidents do happen--perhaps no one at fault... or perhaps all the adults had some part in it without anyone being at fault, as only the innocent children were killed.
The town had changed... tragedy has taken away the town's joy and innocence. The parents are no longer open with each other, but guarded, suspicious... in deep grief.
The lawyer is little more than an ambulance chaser, attempting to profit off their tragedy. Yet, he, too is a tragic figure who has already "lost" his daughter--
He had saved her when she was a baby, yet she has now turned away from him... and his feelings are now ambivalent towards her--he is a grief-stricken, defeated father, who vascillates between wanting to talk with his daughter on his cell phone and deciding to cut her off.
The story of the Pied Piper is interweaved between various events in the movie to give greater depth to the story. There's also a great scene in the movie between the lawyer and the garage mechanic, who has lost his two children, that shows that the theme is much broader than the literal story:
"I'm telling you this because... we've all lost our children, Mr. Ansel. They're dead to us. They kill each other in the streets. They wander comatose in shopping malls. They're paralyzed in front of televisions. Something terrible has happened that's taken our children away. It's too late. They're gone."
This movie isn't for everyone. It's a serious, layered piece with a lot of melancholy. The kind of fare that film critics can love, but Academy voters will avoid. But what it strives to accomplish is done very well. And it will stay with you long after the final scenes have appeared.
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